The Disabled Veteran of World War I in the Mirror of Contemporary Art the Reception of Otto Dix's Painting The Cripples (1920) in Yael Bartana's Film Degenerate Art Lives (2010)

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Bibliographische Detailangaben
Veröffentlicht in:	Disability and art history / edited by Ann Millett-Gallant & Elizabeth Howie
1. Verfasser:	Marno, Anne (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2017
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Titel	Jahr	Verfasser
Difference and Disability in the Photography of Margaret-Bourke-White	2017	Watson, Keri
Artists and Muses : 'Peter's World' and Other Photographs by Susan Harbage Page	2017	Millett-Gallant, Ann
The Dandy Victorian : Yinka Shonibare's Allegory of Disability and Passing	2017	Howie, Elizabeth
Crafting Disabled Sexuality : The Visual Language of Nomy Lamm's "Wall of Fire"	2017	Kafai, Shayda
Exploiting, Degrading, and Repellent : against a Biased Interpretation of Contemporary Art about Disability	2017	Heindl, Nina
The Disabled Veteran of World War I in the Mirror of Contemporary Art : the Reception of Otto Dix's Painting The Cripples (1920) in Yael Bartana's Film Degenerate Art Lives (2010)	2017	Marno, Anne
Nothing is Missing : Spiritual Elevation of a Visually Impaired Moche Shaman	2017	Stone, Rebecca
Divining Disability : Criticism as Diagnosis in Mesoamerican Art History	2017	Gassaway, William T.
Representing Disability in Post-World War II Photography	2017	Hiles, Timothy W.
Disabling Surrealism : Reconstituting Surrealist Tropes in Contemporary Art	2017	Cachia, Amanda

The Disabled Veteran of World War I in the Mirror of Contemporary Art the Reception of Otto Dix's Painting The Cripples (1920) in Yael Bartana's Film Degenerate Art Lives (2010)