The guillotine sublime
Gespeichert in:
Veröffentlicht in: | Is Paris still the capital of the nineteenth century? / edited by Hollis Clayson and André Dombrowski |
---|---|
1. Verfasser: | |
Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
2016
|
Schlagworte: | |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Titel | Jahr | Verfasser |
---|---|---|
Gesture, pose, practice : Charles Nègre and the image of instantaneity | 2016 | Lewis, Jacob W. |
Paris, Japan, and modernity : a vexed ratio | 2016 | Chang, Ting |
How Haussmann's hegemony haunted the early Third Republic | 2016 | Soppelsa, Peter |
A laughter of the look : Manet, Mallarmé, Polichinelle, and the Salon jury in 1874 | 2016 | Werth, Margaret |
Living on Manet's 'Balcony', or the right to privacy | 2016 | Dombrowski, André |
Manet and the multiple | 2016 | Higonnet, Anne |
Mary Cassatt's lamp | 2016 | Clayson, Hollis |
Architecture's capital? : revisiting Benjamin's Paris | 2016 | Rice, Charles |
The guillotine sublime | 2016 | Gotlieb, Marc |
Revisiting the 1860s : race and place in Cape Town and Paris | 2016 | Garb, Tamar |
Victorine's secret : Baudelaire and the ambiguity of commodities | 2016 | Smith, Paul |
Osman Hamdi Bey and Ottoman aestheticism | 2016 | Roberts, Mary |
White city vs. La Ville lumière : electrical displays at the World's Columbian Exposition, Chicago (1893) | 2016 | Valance, Hélène |