The Envelope
Artist Jasper Rigole contributes to CAVE from the point of view of his ‘International Institute for the Conservation, Archiving and Distribution of Other People’s Memories’ (IICADOM), for which he collects objects, 8 mm films, pictures, tapes and other found footage and discoveries in which personal...
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| Veröffentlicht in: | Territories / edited by Els Silvrants-Barclay and Pieternel Vermoortel |
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| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2016
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| The museum of unlimited growth | 2016 | Noppen, Winke |
| The Envelope | 2016 | Rigole, Jasper |
| Prelusive collections | 2016 | Deliss, Clémentine |
| Museum Contemporary Art Ghent-Balen | 2016 | Geys, Jef |
| What we caught we threw away, what we didn't catch we kept | 2016 | Kreuger, Anders |
| To enter a museum one has to open the door (continued) | 2016 | |
| "We want the funds, not the building " : A 37 90 89 and its contestation of plans for a Museum of Modern and Contemporary Art | 2016 | Sennema, Marije |
| Thoughts on the potential of the Research Collection | 2016 | |
| 'A guest without a host is a ghost' was seen | 2016 | |
| In defense of the post-autarkic museum | 2016 | Liefooghe, Marteen |