'A guest without a host is a ghost' was seen
In 2014, Beirut, a curatorial collective at that time operating an art space in Cairo as a curatorial and institutional exercise, organized a number of exhibitions in their own as well as in other institutions in town with works of the (privately owned) collection of the Kadist Art Foundation. Throu...
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| Veröffentlicht in: | Territories / edited by Els Silvrants-Barclay and Pieternel Vermoortel |
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| Weitere Verfasser: | , |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2016
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| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | In 2014, Beirut, a curatorial collective at that time operating an art space in Cairo as a curatorial and institutional exercise, organized a number of exhibitions in their own as well as in other institutions in town with works of the (privately owned) collection of the Kadist Art Foundation. Through the organization of a physical displacement, and subsequent re-organization and re-appropriation of groups of art works, they used the collection as a tool to understand the territory of the institution and the public nature of the private collection. In this essay, Jens Maier-Rothe looks at the behavior of some of the "displaced" art works through the drawings that artist Doris Maninger made of these works while exhibited in Cairo, not to merely look back but also to re-engage and speculate on possible alternative routes the project could have taken. |
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| ISBN: | 978-3-95679-136-9 |