Museum Contemporary Art Ghent-Balen
Louise Osieka looks back at the exhibition the Belgian artist Jef Geys set up in 1984 with 61 pivotal art works of the S.M.A.K. collection in a secondary school in Balen, a small village up north in Belgium where he taught "positive aesthetics" from 1960 to 1989. Central to Jef Geys’ pract...
Gespeichert in:
| Veröffentlicht in: | Territories / edited by Els Silvrants-Barclay and Pieternel Vermoortel |
|---|---|
| 1. Verfasser: | |
| Weitere Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2016
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Prelusive collections | 2016 | Deliss, Clémentine |
| Museum Contemporary Art Ghent-Balen | 2016 | Geys, Jef |
| The museum of unlimited growth | 2016 | Noppen, Winke |
| The Envelope | 2016 | Rigole, Jasper |
| What we caught we threw away, what we didn't catch we kept | 2016 | Kreuger, Anders |
| To enter a museum one has to open the door (continued) | 2016 | |
| "We want the funds, not the building " : A 37 90 89 and its contestation of plans for a Museum of Modern and Contemporary Art | 2016 | Sennema, Marije |
| Thoughts on the potential of the Research Collection | 2016 | |
| 'A guest without a host is a ghost' was seen | 2016 | |
| In defense of the post-autarkic museum | 2016 | Liefooghe, Marteen |