| The concept and presentation of the Städel Art Institute collection : the early decades
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2016 |
Sander, Jochen |
| The goldfinch's travels : fact and fiction
|
2016 |
Jowell, Frances Suzman |
| A Japanese Caillebotte in Amsterdam
|
2016 |
Tilborgh, Louis van |
| Peter Hecht : making a difference
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2016 |
Leighton, John |
| Paul Mellon : private collector for the public
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2016 |
Morton, Mary G. |
| Of the city, for the city : the case for municipal museums
|
2016 |
Hecht, Peter |
| The La Caze bequest
|
2016 |
Rosenberg, Pierre |
| A political decision for art : the Paul Klee collection in Düsseldorf
|
2016 |
Kruszynski, Anette |
| Museum Boijmans Van Beuningen's acquisition of Cornelis van Dalem's 'Dawn of civilization'
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2016 |
Giltaij, Jeroen |
| Torrigiani's 'Mater dolorosa' in the Rijksmuseum
|
2016 |
Scholten, Frits |
| Oil sketches for the Fondation Custodia
|
2016 |
Luijten, Ger |
| Georg Schmidt as rescuer of 'degenerate art'
|
2016 |
Zimmer, Nina |
| An early landscape by Degas at the Fitzwilliam Museum
|
2016 |
Cornelis, Bart |
| Sea change : the acquisition of Backhuyens's 'Ships in distress off a rocky coast' at the National Gallery of Art, Washington 2016
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2016 |
Wheelock, Arthur K. |
| Recent acquisitions at the Ashmolean
|
2016 |
Brown, Christopher |
| The 'Portrait of an elderly man' by Rembrandt in the Mauritshuis
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2016 |
Duparc, Frederik J. |
| A proof impression and some doodles
|
2016 |
Schapelhouman, Marijn |
| Museum acquisition: Peter Hecht
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2016 |
MacGregor, Neil |
| America's first Vermeer : 'Young woman with a water pitcher' in the Metropolitan Museum of Art
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2016 |
Quodbach, Esmée |
| Hannema, Mondrian, Koch
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2016 |
Blotkamp, Carel |
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