| Consuming Christ : Henry Ossawa Tanner's Biblical Paintings and Nineteenth-Century American Commerce
|
2014 |
Schwain, Kristin |
| Historicism and Scenes of "The Passion" in Nineteenth-Century French Romantic Painting
|
2014 |
Polistena, Joyce Carol |
| Reading Visual Rhetoric : Strategies of Piety and Propaganda in Lucas Cranach the Elder's Passional Christi und Antichristi
|
2014 |
Dykema, Bobbi |
| Figuring Redemption : Christianity and Modernity in Max Beckmann's Resurrections
|
2014 |
Hamlin, Amy K. |
| Methodological Issues from the Fields of Art History, Visual Culture, and Theology
|
2014 |
Stratford, Linda |
| Iconographic Structure : Recognizing the Resurrected Jesus on the Vatican Jonah Sarcophagus
|
2014 |
Fuchs, Linda Møskeland |
| Media, Mimesis, and Sacrifice : Paul Pfeiffer's Contemporary Christological Lens
|
2014 |
Wallace, Isabelle Loring |
| Reading Theological Place : Joachim Patinir's Saint Jerome in the Desert as Devotional Pilgrimage
|
2014 |
Vanderpoel, Matthew Sweet |
| Hybridizing Iconography : The Miraculous Mass of St. Gregory Featherwork from the Colegio de San José de los Naturales in Mexico City
|
2014 |
Sifford, Elena Fitzpatrick |
| Reading Theological Context : A Marian Interpretation of Michelangelo's Roman Pietà
|
2014 |
Lev, Elizabeth |
| Embodiment as Sacrament : Francis Bacon's Postwar Horror
|
2014 |
Arya, Rina |
| Reading Hermeneutic Space : Pictorial and Spiritual Transformation in the Brancacci Chapel
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2014 |
Reddaway, Chloë |
| Icon as Theology : The Byzantine Virgin of Predestination
|
2014 |
Milliner, Matthew J. |
| Reading Devotion : Counter-Reformation Iconography and Meaning in Gregorio Fernández's Cristo yacente of El Pardo
|
2014 |
Colón Mendoza, Ilenia |
| Iconography of Sign : A Semiotic Reading of the Arma Christi
|
2014 |
Madar, Heather |
| Expanding the Discourse on Christianity in the History of Art
|
2014 |
Romaine, James |
| Marginalia or Eschatological Iconography? : Providence and Plenitude in the Imagery of Abundance at Orvieto Cathedral
|
2014 |
Smith, Rachel Hostetter |
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