| Masterful hands : Morelli and the Maya on the hieroglyphic stairway, Copan, Honduras
|
2015 |
Houston, Stephen D. |
| "Cross my heart, hope to die, stick a needle in my eye" : friendship, survival, and the pathos of portraiture
|
2015 |
Loh, Maria H. |
| Heritage and humility in the Republic of Tools : understanding the world of thought of early modern craftsmen
|
2015 |
Seyler, Katrin |
| A constellation of words : causa, res, pragma, Sache
|
2015 |
Bodei, Remo |
| An "applied physiology" : Italian modernism, Nietzschean philosophy, and the sexual economy of style
|
2015 |
Merjian, Ara H. |
| The gifts of the Gorgon : a close look at a Byzantine inkpot
|
2015 |
Chatterjee, Paroma |
| Crucifixion piety in New Mexico : on the origins and art of St. Librada
|
2015 |
Cruz González, Cristina |
| An artistic humanity : new positions on art and freedom in the context of Iberian expansion, 1500 - 1600
|
2015 |
Russo, Alessandra |
| Antimatter : on the surfaces of Fred Sandback's early sculpture
|
2015 |
Vazquez, Edward A. |
| The aesthetics of landscape and icon at Sinai
|
2015 |
Pentcheva, Bissera V. |
| Vain labor (?) : things, strings, and the human condition in the art of Giovanni Baleison
|
2015 |
Timmermann, Achim |
| Visual difficulty as a cultural system
|
2015 |
Rothstein, Bret Louis |
| Seeing through stone : materiality and place in a medieval Scottish pendant reliquary
|
2015 |
Overbey, Karen Eileen |
| The last superstition
|
2015 |
Calasso, Roberto |
| Pausanias and the figural decoration of Greek sacred architecture
|
2015 |
Marconi, Clemente |
| The space of knowledge : artisanal epistemology and Bernard Palissy
|
2015 |
Andrews, Noam |
| The pulpit trap : possession and personhood in colonial Goa
|
2015 |
Županov, Ines G. |
| The crucifixions of Velázquez and Zurbarán
|
2015 |
Lahuerta, Juan José |
| The potent image
|
2015 |
Michaud, Éric |
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