| The "Solomonic Window" in Renaissance Scotland and At Large
|
2014 |
Campbell, Ian |
| Nationality and Modernity in Early Twentieth-Century Baltic Art
|
2014 |
Mansbach, Steven A. |
| Men of Saturn : Styling "Bohemian" Melancholy in the Seventeenth Century
|
2014 |
Hollander, Martha |
| Ruskin's Critical Pathos
|
2014 |
Ballantyne, Andrew |
| The "Space... in Which I Find Myself" : Kant on the Origin of Spatial Form
|
2014 |
Godlove, Terry F. |
| Two Bodies
|
2014 |
Madoff, Steven Henry |
| Drawing on Mies's Wall in Houston
|
2014 |
Johnston, Alan |
| Le Corbusier's Middleground
|
2014 |
Gans, Deborah |
| Cézanne's Oedipal Complex : His Father's Throne and His Lover's Son
|
2014 |
Winkenweder, Brian |
| Framing Movement : Kirchner in Berlin
|
2014 |
Haxthausen, Charles Werner |
| Non-Mimetic "Imitations" : The Modernist Topos of Barbarian Numismatic Copies
|
2014 |
Masheck, Joseph |
| Utopian Violence : El Lissitzky's 'Victory Over the Sun'
|
2014 |
Poggi, Christine |
| Adhering to the Text : Notes on the Observation and Description of a House in a Novel
|
2014 |
Lesák, František |
| Reintroducing Joseph Masheck : Different Forms of Formalism and the Geometry of Humanism
|
2014 |
Craven, David |
| Afterlife of the Black Quadrilateral
|
2014 |
Welish, Marjorie |
| Revisiting Indeterminacy : On Morton Feldman, Earle Brown, and the New York Painters
|
2014 |
Ryan, David |
| Modernist Art-School High Jinks in 1908
|
2014 |
Stewart, Margaret |
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