Michael Moore and the rhetoric of documentary
Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affe...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Carbondale
Southern Illinois Univ. Press
2015
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Schlagworte: |
Moore, Michael / 1954 April 23- / Criticism and interpretation
> Moore, Michael / 1954 April 23-
> Moore, Michael
> Documentary films / Political aspects / History and criticism
> Motion pictures / Political aspects / United States
> Documentary films / Political aspects
> Motion pictures / Political aspects
> Film
> Politik
> Rhetorik
> Dokumentarfilm
> United States
> USA
> Aufsatzsammlung
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Zusammenfassung: | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips |
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Beschreibung: | Includes bibliographical references and index |
Beschreibung: | VI, 232 S. Ill. |
ISBN: | 9780809334070 978-0-8093-3407-0 9780809334087 978-0-8093-3408-7 |