| A digital archive for the Cappella Maggiore using Modus Operandi
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2014 |
Chimenti, Massimo |
| The stained-glass windows of the Cappella Maggiore
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2014 |
Tripps, Johannes |
| Comparative analysis and historical context
|
2014 |
Chiodo, Sonia |
| The use of metal leaf in the Cappella Maggiore of Santa Croce
|
2014 |
Lanfranchi, Maria Rosa |
| Agnolo Gaddi's palette for the Legend of the True Cross cycle
|
2014 |
Mariotti, Paola Ilaria |
| A comparison of Agnolo Gaddi's painting technique in the fresco cycle of the Cappella Maggiore with Cennino Cennini's 'II libro dell'arte'
|
2014 |
Bandini, Fabrizio |
| The conservation of the frescoes in the Cappella Maggiore
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2014 |
Lanfranchi, Maria Rosa |
| "With much mastery of handling but not with much design" : Notes toward the history of a wall-painting worksite at the end of the fourteenth century
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2014 |
Monciatti, Alessio |
| Agnolo Gaddi's career and the Opera del Duomo in Florence
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2014 |
Cadogan, Jean K. |
| The "low people" among the sacred narratives
|
2014 |
Frosinini, Cecilia |
| The scaffolding for the frescoes of the Cappella Maggiore
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2014 |
Felici, Alberto |
| The story of the project
|
2014 |
Acidini Luchinat, Cristina |
| Painted architecture in the frescoes of the Cappella Maggiore
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2014 |
Benelli, Francesco |
| 1294 - 1934: From the Feast of the Holy Cross to Fascism
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2014 |
Sebregondi, Ludovica |
| Design, planning and drawing in the Legend of the True Cross
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2014 |
Frosinini, Cecilia |
| The painted inscriptions of the frescoes in the Cappella Maggiore
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2014 |
Mazzalupi, Matteo |
| Family alliances, merchant companies : The Alberti, Agnolo Gaddi and the Cappella Maggiore of Santa Croce
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2014 |
Bernacchioni, Annamaria |
| The narrative structure of the cycle of the Legend of the True Cross by Agnolo Gaddi
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2014 |
Miyashita, Takaharu |
| On the margins of the Invention of the True Cross
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2014 |
Malquori, Alessandra |
| The literary sources for the Legenda aurea
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2014 |
Maggioni, Giovanni Paolo |
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