| Epilogue: After Hoogewerff
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2015 |
Chavannes-Mazel, Claudine A. |
| Presentatio. Imitatio. Innovatio : the imitation and correction of a corrupt pictorial tradition by the Masters of Zweder van Culemborg
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2014 |
Bloem, Miranda |
| G. J. Hoogewerff : explorer in art history
|
2014 |
Krul, Wessel |
| The medieval mural paintings in the Dutch reformed church at Britsum
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2014 |
Klinkenberg, Emanuel S. |
| A note on the unfortunate lords of Montfoort
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2014 |
Kneepkens, Indra |
| The instructions in the Bethlehem Plenary and its production process
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2014 |
Suèr, Susan |
| A voice from the grave : the tomb of Guy of Avesnes in Saint-Martin's cathedral in Utrecht
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2014 |
Frequin, Sanne |
| Duke Charles of Guelders and the 'restoration' of the tomb monument of Gerard IV and Margaret in the Roermond minster
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2014 |
Jasperse, Jitske |
| Art and archives, clerics and counts : new insights on the crucifixion mural in the Utrecht buriual chapel of Guy of Avesnes
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2014 |
Egmond, Anne-Maria J. van |
| Michiel van der Borch : discerning fact from fable
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2014 |
Chavannes-Mazel, Claudine A. |
| Armorials, heralds and heraldry around 1400 : the importance of the manuscript and the cultural-historical context
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2014 |
Anrooij, Wim van |
| The reception of Hoogewerff's 'De Noord-Nederlandsche schilderkunst'
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2014 |
Ploeg, Kees van der |
| Genesis jumbled : the creation miniatures in Maerlant's Rijmbijbel in the Museum Meermanno in The Hague
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2014 |
Welie-Vink, Wendelien van |
| The 'Cinderella' of the arts : the study of architectural sculpture up to 1420 from G. J. Hoogewerff's time to the present
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2014 |
Hartog, Elizabeth den |
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