An ingenious musical machine from the imagination of Leonardo da Vinci
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2023 |
Chinaglia, Walter |
A forgotten pioneer: Eugene Marteney and the American renaissance of hautboy-making, 1962-1969
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2022 |
Howe, Robert |
The guitar in imperial Rio de Janeiro: a fashion among the elite
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2022 |
Taborda, Marcia E. |
Echoes behaving badly? Rhetorical and acoustic experimentalism in the echo fantasias of Jan Pieterszoon Sweelinck and his contemporaries
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2022 |
Ferraguto, Mark |
Playing finger cymbals in the Roman Empire: an iconographic study
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2022 |
Cottet, Audrey |
Gerrit van Honthorst's guitar: tracing the features of an instrument reappearing in the works of the Utrecht Caravaggist
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2022 |
Hofstötter, Bernhard |
Prisms of the musical past: British international exhibitions and "ancient instruments", 1885-1890
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2019 |
Kirby, Sarah |
"Extra fine guitars after the newest fashion": guitar- and cittern-making in the northern Netherlands, 1750-1800
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2018 |
Amersfoort, Jelma van |
The mandolin in Britain, 1750-1800
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2018 |
Sparks, Paul |
Abate Wood in Rome: the ingegnosissimo mattematico who made the first pianoforte "that was brought to England"
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2018 |
Barbieri, Patrizio |
Andreas Werckmeister's final tuning : the path to equal temperament
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2015 |
Bartel, Dietrich |
"Una povera fanciulla Tedesca" : the dulcimer player in Filippo Bonanni's Gabinetto armonico
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2015 |
Banks, Jon |
The mechanization of performance studies
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2014 |
Brock-Nannestad, George |
Historical accuracy versus practical expediency : early instruments in the digital age
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2013 |
Lawson, Colin |
Harpsichords and spinets in late Baroque Rome
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2012 |
Barbieri, Patrizio |
The clavecins à maillets of Marius and Veltman : new observations on some of the first pianos in France
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2011 |
Di Stefano, Giovanni Paolo |
The English flageolet, 1800 - 1900
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2010 |
MacMillan, Douglas |
A 16th-century manuscript in Regensburg
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2009 |
Kiel, Jacobijn |
The early Irish harp
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2008 |
Chadwick, Simon |
Pianos and harpsichords for their majesties
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2008 |
Latcham, Michael |