| Same Old Marxist Art History : [Rezension von: Re/new marxist art history / ed. by Warren Carter, Barnaby Haran, Frederic J. Schwartz. - 2013]
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2016 |
Day, James |
| The situtation of women
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2013 |
Stracey, Frances |
| Realism, totality and the militant citoyen : or, what does Lukács have to do with contemporary art?
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2013 |
Day, Gail |
| "Red Hashar" : Louis Lozowick's lithographs of Soviet Tajikistan
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2013 |
Haran, Barnaby |
| Realism and materialism in postwar European art
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2013 |
Potts, Alex |
| Scars on the landscape : Doris Salcedo between two worlds
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2013 |
Wu, Chin-tao |
| Deartification this side of art : ideology critique, autonomy and reproduction
|
2013 |
Stakemeier, Kerstin |
| Aby Warburg and the spirit of capitalism
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2013 |
Schwartz, Frederic J. |
| Erasure and jewishness in Otto Dix's "Portrait of the lawyer Hugo Simons"
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2013 |
Van Dyke, James A. |
| Photography, language and the pictorial turn
|
2013 |
Smith, Peter |
| Meaning, change and ambiguity in Canadian landscape imagery : Homer Watson and "The pioneer mill"
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2013 |
Foss, Brian |
| Calaveras and commodity fetishism : the unhallowed supernatural in the work of José Guadalupe Posada
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2013 |
Gretton, Tom |
| William Morris, ornament and the coordinates of the body
|
2013 |
Arscott, Caroline |
| Stuart Davis and left modernism on the New York waterfront in the 1930s
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2013 |
Patterson, Jody |
| Towards a history of the marxist history of art : introduction
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2013 |
Carter, Warren |
| Approaching Marx's aesthetics : or, what is sensuous practice?
|
2013 |
Martin, Stewart |
| A communion of just men made perfect : Walter Pater, romantic anti-capitalism and the Paris Commune
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2013 |
Beaumont, Matthew |
| "One spectator is a better witness than ten listeners" : Roger North, making the past public
|
2013 |
Ford, Charles |
| A note on aestheticizing tendencies in American landscape painting 1840 - 80
|
2013 |
Wallach, Alan |
| Art history's furies
|
2013 |
Roberts, John |
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