| The image in its absence
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2013 |
Malt, Johanna |
| Configurations of emptiness : intericonic blanks in Louise Lawler's "A movie without the picture" and Hiroshi Sugimoto's "Theaters"
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2013 |
Gamer, Elisabeth-Christine |
| "Navigation" by the "vernacular glance" : Robert Rauschenberg's "Maps"
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2013 |
Gluibizzi, Amanda |
| Works of art as meta-images : on the use of photographs for the study of art history
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2013 |
Orfila, Jorgelina |
| Generating new epistemological coordinates : Roberto Matta's open cubes as meta-images
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2013 |
Ahmed, Maaheen |
| On exactitude in modeling : mimesis and meta-image in Dolorès by Anne Baltus, François Schuiten and Benoît Peeters
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2013 |
Leroy, Fabrice |
| Everything is purged from this painting but art : John Baldessari: meta-picture and post-mediality, 1966 - 1968
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2013 |
Pirenne, Raphaël |
| Images against images : on Goshka Macuga's "The nature of the beast"
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2013 |
Dâmaso, Mafalda |
| Beyond simulation : inter-textuality, inter-imaging and pastiche in "The artist" (Hazanavicius 2011)
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2013 |
Pheasant-Kelly, Frances |
| Deleuzian meta-cinematic images in Ilya Kabakov's "Total installation"
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2013 |
Mpachtsetzēs, Sōtērios |
| Re-inscriptions : microscopy of time and motion
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2013 |
Moskatova, Olga |
| Mimesis, coding, programming : considerations on the meta-image and the microcontroller in contemporary new media art
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2013 |
Susik, Abigail |
| Picturing the frame : an aesthetic approach to film studies ; case study of "The age of innocence" (Scorsese 1993)
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2013 |
Hockenhull, Stella |
| Mel Bochner's perspective photographs and the modernist conditions of visibility
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2013 |
Lejeune, Anaël |
| Bill Viola's synthetic atlases
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2013 |
Nowak, Magdalena |
| Meta- and inter-images in contemporary visual art and culture : introduction
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2013 |
Taban, Carla |
| How does a snail see the world? : imagining non-human animals' visual Umwelten
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2013 |
Cortés Zulueta, Concepción |
| The image by itself : photography and its double
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2013 |
Athanassopoulos, Vangelis |
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