| Australian indigenous art : the impact for the market on production, critical engagement with the artwork and how it is contextualised
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2013 |
Knights, Mary |
| Iconic objects and the world heritage list
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2013 |
Gieser, Laura |
| Destruction of heritage or secular iconoclasm? : the case of Dampier Archipelago rock art
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2013 |
González Zarandona, José Antonio |
| Prague Castle as a symbol of political representation
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2013 |
Hnídková, Vendula |
| The role of memorial monuments in the formation of cultural identity in Latin American countries
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2013 |
Cendales Paredes, Claudia |
| "An archive written in clay" : Emilio Goeldi between archaeology, art and politics
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2013 |
Mattos, Claúdia |
| "Weit herumgekommen ..." : über den Mobilitätslook in der Gegenwartskunst
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2013 |
Janecke, Christian |
| Preserving postwar-modernity : a special debate in Germany?
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2013 |
Buttlar, Adrian von |
| Regrouping : displays of loot from "Yuanmingyuan"
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2013 |
Thomas, Greg M. |
| Who or what is actually the object? : (non-heteronormative) desire and power in the context of art and postcolonialism
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2013 |
Paul, Barbara |
| Digital "mnemosýne" atlas
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2013 |
Sassi, Raimondo |
| In praise of the Lord : Oriental silks in Christian churches
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2013 |
Borkopp-Restle, Birgitt |
| The politics of objects : objects, view and museum politics in Nigeria
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2013 |
Adediran, Nath Mayo |
| La dispersion des sculptures du Musée des Monuments Français en 1816 : les critères de choix entre patrimoine, politique et religion
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2013 |
Bresc-Bautier, Geneviève |
| Contemporary art in boom and crisis : France and Germany 1918-1933
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2013 |
Gee, Malcolm |
| Lucas Cranach the Elder : production processes and invention
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2013 |
Werner, Elke Anna |
| Art objects from Cameroon : their making and meaning transformed by the market
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2013 |
Terna, Ape Levi |
| Architecture as a weapon
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2013 |
Strahl, Tobias |
| Die virtuelle Rekonstruktion einer mittelalterlichen Fassung
|
2013 |
Barta, Christian |
| Objets de musée et enseignement de histoire de l'art en République du Bénin
|
2013 |
Houénoudé, Didier Marcel |
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