| Elected affinities : [Rezension von: The geometries of Afro Asia : art beyond solidarity / Joan Kee. - Oakland, California : University of California Press, [2023]]
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2024 |
Noor, Tausif |
| From Rome to Rabat : Carla Accardi's encounters with Moroccan modernism
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2024 |
Morale, Giulia |
| Bernini's braids and the intimacies of stone
|
2024 |
Lloyd, Karen J. |
| Nineteenth-century intersex bodies and the "appearance of a double sex" : Nadar's medical anti-illustration
|
2024 |
McBryde, Brynne |
| Pressing buttons : Kodak, advertising psychotechnics, and the politics of graphic design, c. 1915
|
2024 |
Greenhill, Jennifer A. |
| Working carefully
|
2024 |
Bradnock, Lucy |
| Please walk on this : Gutai and the emergence of walkable art
|
2024 |
Tymkiw, Michael |
| Against plantation future : [Rezension von: White sight : visual politics and practices of whiteness / Nicholas Mirzoeff. - Cambridge, Massachusetts ; London, England : The MIT Press, [2023]. - x, 339 Seiten : Illustrationen, Karten . - ISBN: 978-0-262-04767-8
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2024 |
Majewska, Martyna Ewa |
| Courbet's substance : [Rezension von: Courbet's landscapes : the origins of modern painting / Paul Galvez ; copyedited by Rosalind Neely. - New Haven ; London : Yale University Press, 2022]
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2024 |
Misteli, David |
| Unchanging form : [Rezension von: Henry van de Velde : selected essays, 1889-1914 / edited by Katherine M. Kuenzli ; translated by Elizabeth Tucker. - Los Angeles : Getty Research Institute, [2022]. - (Texts & documents) // The absolute realist : collected writings of Albert Renger-Patzsch, 1923-1967 / edited and translated by Daniel H. Magilow. - Los Angeles : Getty Research Institute, [2022]]
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2024 |
Luke, Megan R. |
| Paper as artistic medium at the Ottoman Court
|
2024 |
Fetvacı, Emine |
| Constitutin the body of state : paper, parchment, and political thought in the age of the American revolution
|
2024 |
Siddique, Asheesh |
| Goya's critical witnessing : [Rezension von: Francisco de Goya and the art of critique / Anthony J. Cascardi. - New York : Zone Books, 2022 // The art of witnessing : Francisco de Goya's "Disasters of war" / Michael Iarocci. - Toronto ; Buffalo ; London : University of Toronto Press, [2023]. - (Toronto Iberic) // Goya and the mystery of reading]
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2024 |
Cerón, Mercedes |
| Notes on a fragment: Zarina's "Dividing Line"
|
2024 |
Kumar, Aparna |
| Land Art Submerged : Betty Beaumont's "Ocean Landmark" and art history beyond proximity
|
2024 |
Curtis, Francesca |
| Introduction: political ecologies of paper in early modern art, 1500-1800
|
2024 |
Brisman, Shira |
| Octopodal pictorialia : the self-reflexivity of the octopus in Graeco-Roman arts
|
2024 |
Bates, Albert |
| Imaging authority, authorship and mortality in late medieval and early modern Europe : [Rezension von: The death arts in Renaissance England : a critical anthology / edited by William E. Engel, University of the Sout, Sewanee, Rory Loughnane, University of Kent, Grant Williams, Carleton University, Ottawa. - Cambridge : Cambridge University Press, [2022] // The birth of the author : pictorial prefaces in glossed books of the twelfth century / Jeffrey F. Hamburger. - Toronto, Ontario, Canada : PIMS, Pontifical Institute of Mediaeval Studies, [2021]. - (Studies and texts / Pontifical Institute of Mediaeval Studies ; 225)(Text, image, context ; 9) // Early colour printing : German Renaissance woodcuts at the British Museum / Elizabeth Savage. - London : Paul Holberton Publishing, [2021]]
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2024 |
Murray, Patrick J. |
| Paper and textile encounters in the pacific
|
2024 |
Fowler, Caroline O. |
| Eros, inc.: Cupid, capital, and the crash of 1720
|
2024 |
Dubin, Nina L. |
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