Contemporary Korean art Tansaekhwa and the urgency of method
" Starting in the mid-1960s, a group of Korean artists began to push paint, soak canvas, drag pencils, rip paper, and otherwise manipulate the materials of painting in ways that prompted critics to describe their actions as "methods" rather than artworks. A crucial artistic movement o...
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| Format: | UnknownFormat |
| Sprache: | eng |
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Minneapolis u.a.
Univ. of Minnesota Press
2013
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| Online Zugang: | Inhaltsverzeichnis |
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