From conscription to the depression the market for modern British art in London c. 1914 - 1930

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Bibliographische Detailangaben
Veröffentlicht in:	Marketing art in the British Isles, 1700 to the present / ed. by Charlotte Gould and Sophie Mesplède
1. Verfasser:	Stephenson, Andrew (VerfasserIn)
Pages:	1700
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2012
Schlagworte:	Geschichte 1914-1930 > Kunst > Moderne > Kunstmarkt > London
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Titel	Jahr	Verfasser
Art without commerce in Northern England, 1980 - 2000	2012	Gee, Gabriel N.
In search of a British connection : Flemish dealers on the London art market and the taste for continental painting (1750 - 1800)	2012	Lyna, Dries
Traversing objects : the London art market at the turn of the twentieth century	2012	Helmreich, Anne L.
From Hogarth to Hirst : three hundred years of buying and selling British art ; introduction	2012	Gould, Charlotte
Copies on the market in eighteenth-century Britain	2012	Küster, Bärbel
"Making pictures marketable" : expertise and the Georgian art market	2012	Miyamoto, Bénédicte
From conscription to the depression : the market for modern British art in London c. 1914 - 1930	2012	Stephenson, Andrew
"One must become half-catholic" : William Beckford (1760 - 1844) as "impolite and uncommercial" aesthete	2012	Châtel, Laurent
Whistler between the British and French art markets	2012	Petri, Grischka
Beautiful inside my head forever : the realignment of the artist and the art market in Great Britain in the twenty-first century	2012	Protz, Uta
The Fine Art Society and the rise of the solo exhibition	2012	Montfort, Patricia de
The collector as Phoenix : can Charles Saatchi rise from the ashes?	2012	Wu, Chin-tao
Modernism, commerce, and Roger Fry's omega workshops	2012	Bruneau-Rumsey, Anne-Pascale
"English pictures are but little known and esteemed out of England" : the Royal Academy of Arts and the 1878 Paris Exposition Universelle	2012	Evrard, Guillaume