| In forming software : software, structuralism, dematerialization
|
2012 |
Shanken, Edward A. |
| Computer participator : situating Nam June Paik's work in computing
|
2012 |
Kaizen, William |
| "Computer for the arts" : (May 1968)
|
2012 |
Higgins, Dick |
| From the gun controller to the mandala : the cybernetic cinema of John and James Whitney
|
2012 |
Patterson, Zabet |
| The computational word works of Eric Andersen and Dick Higgins
|
2012 |
Higgins, Hannah |
| The soulless usurper : reception and criticism of early computer art
|
2012 |
Taylor, Grant D. |
| Information aesthetics and the Stuttgart school
|
2012 |
Klütsch, Christoph |
| Opus 1966
|
2012 |
Andersen, Eric |
| Stan VanDerBeek's "Poemfields" : the interstice of cinema and computing
|
2012 |
Sutton, Gloria |
| Minicomputer experimentalism in the United Kingdom from the 1950s to 1980
|
2012 |
Gere, Charlie |
| Georges Perec's thinking machines
|
2012 |
Bellos, David |
| "They have all dreamt of the machines - and now the machines have arrived" : New Tendencies ; computer and visual research, Zagreb, 1968 - 1969
|
2012 |
Rosen, Margit |
| James Tenney at Bell Labs
|
2012 |
Kahn, Douglas |
| An introduction to "North American Time Capsule 1967"
|
2012 |
Moog, Bob |
| The book of the future : Alison Knowles's "The house of dust"
|
2012 |
Buchloh, Benjamin H. D. |
| Three early texts by Gustav Metzger on computer art
|
2012 |
Metzger, Gustav |
| "Tape mark I"
|
2012 |
Balestrini, Nanni |
| HPSCHD : ghost or monster?
|
2012 |
Joseph, Branden Wayne |
| An introduction to Alison Knowles's "The house of dust"
|
2012 |
Higgins, Hannah |
| The alien voice : Alvin Lucier's "North American Time Capsule 1967"
|
2012 |
Cox, Christoph |
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