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2024 |
Wisotzki, Paula |
| "Current and endless": reconsidering Rauschenberg's radio pieces : new research
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2024 |
Becker, Anne-Grit |
| Hannah Wilke's "Noh": art, feminism, and pornography in the 1970s : new research
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2024 |
Vigneault, Marissa |
| Reading settler archives relationally : archive matters
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2024 |
Horton, Jessica L. |
| Oral history : new collection
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2024 |
Gillespie, Ben |
| Source X material : art work
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2024 |
England, Odette |
| Michael Brewster papers, Elyn Zimmerman papers : new collections
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2024 |
Simms, Matthew Thomas |
| Felix Gonzalez-Torres letters to María Martínez-Cañas : new collections
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2024 |
Franco, Josh T. |
| Paul J. Smith papers : new collections
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2024 |
Proctor, Jacob |
| Alana Van Derwerker materials related to Haystack Mountain School of Crafts
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2023 |
Franco, Josh T. |
| Roberta Allen papers
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2023 |
Proctor, Jacob |
| Jay DeFeo, encore
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2023 |
Hudson, Suzanne Perling |
| Oral history
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2023 |
Gillespie, Ben |
| Beyond Side by Side : intermediality in Senga Nengudi's collaborations
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2023 |
Majewska, Martyna Ewa |
| Weaving abstraction
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2023 |
Red Star, Wendy |
| Being there : the singularity of oral history
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2023 |
Berman, Avis |
| Albert Murray's approach to oral art history : an epistolary exploration
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2023 |
Devlin, Paul |
| Henryk Stażewski's art in America
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2023 |
Zboralska, Marta |
| N dimensional space in a one-dimensional world : the art of holograms in 1970
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2023 |
Johnson, Elizabeth Anne |
| In another's hand
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2023 |
Gonzales-Day, Ken |
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