| Titus, Titian and Tante Titia : on Rembrandt and onomastics
|
2011 |
Koomen, Arjan de |
| 'As thouhgt it had been done by just one Master' : Unity and diversity in the Oranjezaal, Huis ten Bosch
|
2011 |
Eikema Hommes, Margriet van |
| Abraham and the Angels
|
2011 |
Laarmann, Frauke K. |
| Terminus : crossing boundaries in Maarten van Heemskerck's Saint Luke Painting the Madonna in Haarlem
|
2011 |
Healy, Fiona |
| Nudity on the market : some thoughts on the market and innovations in sixteenth-century Antwerp
|
2011 |
Jonckheere, Koenraad |
| Paintings in sixteenth-century wealthy interiors : two case studies
|
2011 |
Boers, Marion |
| A display of ambitions : Isaac Duchemin's Portrait of Jan van de Noot
|
2011 |
Veldman, Ilja M. |
| Aemulatio of taste : Thomas de Keyser and the New Classicism of the 1630s
|
2011 |
Adams, Ann Jensen |
| Rapen again : Notes on Aemulatio and plagiarism in Dutch painting
|
2011 |
Blankert, Albert |
| A clean competition : some hypotheses on Vermeer's lost Gentleman Washing his Hands
|
2011 |
Waiboer, Adriaan E. |
| Ruben's singular tribute to Adam Elsheimer
|
2011 |
Haeger, Barbara |
| Karel van Mander and Francisco Pacheco
|
2011 |
Weststeijn, Thijs |
| Subordinating colour to light and shadow : Rembrandt's fatal choice?
|
2011 |
Wetering, Ernst van de |
| Rembrandt's cat
|
2011 |
Kuretsky, Susan Donahue |
| Van Dyck's 'Influence' in the Dutch Republic
|
2011 |
Liedtke, Walter A. |
| Van Goyen as Burgher of Delft? : Jan Steen and the moralistic mode
|
2011 |
Bok, Marten Jan |
| Omphalos mundi : the pictorial tradition of the theme of Amsterdam and the four continents, circa 1600 - 1665
|
2011 |
Kolfin, Elmer |
| Au vif - naar't leven - ad vivum : the medieval origin of a humanist concept
|
2011 |
Bakker, Boudewijn |
| "So as to give birth to your own inventions, too" : Rembrandt transforming Annibale
|
2011 |
Worth Bracken, William |
| Painting at the Threshold : competition and conversation in perspective
|
2011 |
Brusati, Celeste |
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