| Ruben's singular tribute to Adam Elsheimer
|
2011 |
Haeger, Barbara |
| Karel van Mander and Francisco Pacheco
|
2011 |
Weststeijn, Thijs |
| Subordinating colour to light and shadow : Rembrandt's fatal choice?
|
2011 |
Wetering, Ernst van de |
| Rembrandt's cat
|
2011 |
Kuretsky, Susan Donahue |
| Van Dyck's 'Influence' in the Dutch Republic
|
2011 |
Liedtke, Walter A. |
| Van Goyen as Burgher of Delft? : Jan Steen and the moralistic mode
|
2011 |
Bok, Marten Jan |
| Omphalos mundi : the pictorial tradition of the theme of Amsterdam and the four continents, circa 1600 - 1665
|
2011 |
Kolfin, Elmer |
| Au vif - naar't leven - ad vivum : the medieval origin of a humanist concept
|
2011 |
Bakker, Boudewijn |
| "So as to give birth to your own inventions, too" : Rembrandt transforming Annibale
|
2011 |
Worth Bracken, William |
| Painting at the Threshold : competition and conversation in perspective
|
2011 |
Brusati, Celeste |
| Standing at the crossroad : Arnold Houbraken on the career of Jan de Baen
|
2011 |
Gordenker, Emilie E. S. |
| Improving old master drawings by Aert Schouman (1710 - 1792)
|
2011 |
Dumas, Charles |
| Painterly chaos : the choice of subject matter in Dutch art
|
2011 |
Vries, Lyckle de |
| Rembrandt and the Male Nude
|
2011 |
Kettering, Alison McNeil |
| Michiel van Musscher and Bartholomeus van der Helst : Thelft of honour or creative imitation?
|
2011 |
Grijzenhout, Frans |
| 'Schoenmaaker blyft by uw leest' : on a case of emulation in Gerard de Lairesse's Groot Schilderboek
|
2011 |
Coutré, Jacquelyn N. |
| "Sine Cerere et Baccho friget Venus" "after" Bartholomeus Spranger : an early parody of style
|
2011 |
Leeflang, Huigen |
| Van Campen's 'White' versus Lieven's 'Black'
|
2011 |
Jongh, Eddy de |
| The painter as a competitive reader
|
2011 |
Os, Henk van |
| Rembrandt's Callisto Bathing : unusual but not unique
|
2011 |
Golahny, Amy |
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