| "Sine Cerere et Baccho friget Venus" "after" Bartholomeus Spranger : an early parody of style
|
2011 |
Leeflang, Huigen |
| Van Campen's 'White' versus Lieven's 'Black'
|
2011 |
Jongh, Eddy de |
| The painter as a competitive reader
|
2011 |
Os, Henk van |
| Rembrandt's Callisto Bathing : unusual but not unique
|
2011 |
Golahny, Amy |
| Dou's nudes
|
2011 |
Baer, Ronni |
| The painter versus his critics : Willem van Nijmegen's defense of his art
|
2011 |
Tummers, Anna |
| Rembrandt and Caravaggio : a question of emulation?
|
2011 |
Chapman, H. Perry |
| Seductress of site : the Nagasaki Madonna of the Snow
|
2011 |
Mochizuki, Mia M. |
| Saskia as Glycera : Rembrandt's emulation of an antique prototype
|
2011 |
Dickey, Stephanie |
| Titus, Titian and Tante Titia : on Rembrandt and onomastics
|
2011 |
Koomen, Arjan de |
| 'As thouhgt it had been done by just one Master' : Unity and diversity in the Oranjezaal, Huis ten Bosch
|
2011 |
Eikema Hommes, Margriet van |
| Abraham and the Angels
|
2011 |
Laarmann, Frauke K. |
| Terminus : crossing boundaries in Maarten van Heemskerck's Saint Luke Painting the Madonna in Haarlem
|
2011 |
Healy, Fiona |
| Nudity on the market : some thoughts on the market and innovations in sixteenth-century Antwerp
|
2011 |
Jonckheere, Koenraad |
| Paintings in sixteenth-century wealthy interiors : two case studies
|
2011 |
Boers, Marion |
| A display of ambitions : Isaac Duchemin's Portrait of Jan van de Noot
|
2011 |
Veldman, Ilja M. |
| Aemulatio of taste : Thomas de Keyser and the New Classicism of the 1630s
|
2011 |
Adams, Ann Jensen |
| Rapen again : Notes on Aemulatio and plagiarism in Dutch painting
|
2011 |
Blankert, Albert |
| A clean competition : some hypotheses on Vermeer's lost Gentleman Washing his Hands
|
2011 |
Waiboer, Adriaan E. |
| Painting at the Threshold : competition and conversation in perspective
|
2011 |
Brusati, Celeste |
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