| "Sine Cerere et Baccho friget Venus" "after" Bartholomeus Spranger : an early parody of style
|
2011 |
Leeflang, Huigen |
| Van Campen's 'White' versus Lieven's 'Black'
|
2011 |
Jongh, Eddy de |
| The painter as a competitive reader
|
2011 |
Os, Henk van |
| Rembrandt's Callisto Bathing : unusual but not unique
|
2011 |
Golahny, Amy |
| Dou's nudes
|
2011 |
Baer, Ronni |
| The painter versus his critics : Willem van Nijmegen's defense of his art
|
2011 |
Tummers, Anna |
| Rembrandt and Caravaggio : a question of emulation?
|
2011 |
Chapman, H. Perry |
| Seductress of site : the Nagasaki Madonna of the Snow
|
2011 |
Mochizuki, Mia M. |
| Saskia as Glycera : Rembrandt's emulation of an antique prototype
|
2011 |
Dickey, Stephanie |
| Painting at the Threshold : competition and conversation in perspective
|
2011 |
Brusati, Celeste |
| Standing at the crossroad : Arnold Houbraken on the career of Jan de Baen
|
2011 |
Gordenker, Emilie E. S. |
| Improving old master drawings by Aert Schouman (1710 - 1792)
|
2011 |
Dumas, Charles |
| Painterly chaos : the choice of subject matter in Dutch art
|
2011 |
Vries, Lyckle de |
| Rembrandt and the Male Nude
|
2011 |
Kettering, Alison McNeil |
| Michiel van Musscher and Bartholomeus van der Helst : Thelft of honour or creative imitation?
|
2011 |
Grijzenhout, Frans |
| 'Schoenmaaker blyft by uw leest' : on a case of emulation in Gerard de Lairesse's Groot Schilderboek
|
2011 |
Coutré, Jacquelyn N. |
| Titus, Titian and Tante Titia : on Rembrandt and onomastics
|
2011 |
Koomen, Arjan de |
| 'As thouhgt it had been done by just one Master' : Unity and diversity in the Oranjezaal, Huis ten Bosch
|
2011 |
Eikema Hommes, Margriet van |
| Abraham and the Angels
|
2011 |
Laarmann, Frauke K. |
| Terminus : crossing boundaries in Maarten van Heemskerck's Saint Luke Painting the Madonna in Haarlem
|
2011 |
Healy, Fiona |
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