| Titus, Titian and Tante Titia : on Rembrandt and onomastics
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2011 |
Koomen, Arjan de |
| 'As thouhgt it had been done by just one Master' : Unity and diversity in the Oranjezaal, Huis ten Bosch
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2011 |
Eikema Hommes, Margriet van |
| Abraham and the Angels
|
2011 |
Laarmann, Frauke K. |
| Terminus : crossing boundaries in Maarten van Heemskerck's Saint Luke Painting the Madonna in Haarlem
|
2011 |
Healy, Fiona |
| Nudity on the market : some thoughts on the market and innovations in sixteenth-century Antwerp
|
2011 |
Jonckheere, Koenraad |
| Paintings in sixteenth-century wealthy interiors : two case studies
|
2011 |
Boers, Marion |
| A display of ambitions : Isaac Duchemin's Portrait of Jan van de Noot
|
2011 |
Veldman, Ilja M. |
| Aemulatio of taste : Thomas de Keyser and the New Classicism of the 1630s
|
2011 |
Adams, Ann Jensen |
| Rapen again : Notes on Aemulatio and plagiarism in Dutch painting
|
2011 |
Blankert, Albert |
| A clean competition : some hypotheses on Vermeer's lost Gentleman Washing his Hands
|
2011 |
Waiboer, Adriaan E. |
| Painting at the Threshold : competition and conversation in perspective
|
2011 |
Brusati, Celeste |
| Standing at the crossroad : Arnold Houbraken on the career of Jan de Baen
|
2011 |
Gordenker, Emilie E. S. |
| Improving old master drawings by Aert Schouman (1710 - 1792)
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2011 |
Dumas, Charles |
| Painterly chaos : the choice of subject matter in Dutch art
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2011 |
Vries, Lyckle de |
| Rembrandt and the Male Nude
|
2011 |
Kettering, Alison McNeil |
| Michiel van Musscher and Bartholomeus van der Helst : Thelft of honour or creative imitation?
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2011 |
Grijzenhout, Frans |
| 'Schoenmaaker blyft by uw leest' : on a case of emulation in Gerard de Lairesse's Groot Schilderboek
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2011 |
Coutré, Jacquelyn N. |
| "Sine Cerere et Baccho friget Venus" "after" Bartholomeus Spranger : an early parody of style
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2011 |
Leeflang, Huigen |
| Van Campen's 'White' versus Lieven's 'Black'
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2011 |
Jongh, Eddy de |
| The painter as a competitive reader
|
2011 |
Os, Henk van |
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