| "Sine Cerere et Baccho friget Venus" "after" Bartholomeus Spranger : an early parody of style
|
2011 |
Leeflang, Huigen |
| Van Campen's 'White' versus Lieven's 'Black'
|
2011 |
Jongh, Eddy de |
| The painter as a competitive reader
|
2011 |
Os, Henk van |
| Rembrandt's Callisto Bathing : unusual but not unique
|
2011 |
Golahny, Amy |
| Dou's nudes
|
2011 |
Baer, Ronni |
| The painter versus his critics : Willem van Nijmegen's defense of his art
|
2011 |
Tummers, Anna |
| Rembrandt and Caravaggio : a question of emulation?
|
2011 |
Chapman, H. Perry |
| Seductress of site : the Nagasaki Madonna of the Snow
|
2011 |
Mochizuki, Mia M. |
| Saskia as Glycera : Rembrandt's emulation of an antique prototype
|
2011 |
Dickey, Stephanie |
| Ruben's singular tribute to Adam Elsheimer
|
2011 |
Haeger, Barbara |
| Karel van Mander and Francisco Pacheco
|
2011 |
Weststeijn, Thijs |
| Subordinating colour to light and shadow : Rembrandt's fatal choice?
|
2011 |
Wetering, Ernst van de |
| Rembrandt's cat
|
2011 |
Kuretsky, Susan Donahue |
| Van Dyck's 'Influence' in the Dutch Republic
|
2011 |
Liedtke, Walter A. |
| Van Goyen as Burgher of Delft? : Jan Steen and the moralistic mode
|
2011 |
Bok, Marten Jan |
| Omphalos mundi : the pictorial tradition of the theme of Amsterdam and the four continents, circa 1600 - 1665
|
2011 |
Kolfin, Elmer |
| Au vif - naar't leven - ad vivum : the medieval origin of a humanist concept
|
2011 |
Bakker, Boudewijn |
| "So as to give birth to your own inventions, too" : Rembrandt transforming Annibale
|
2011 |
Worth Bracken, William |
| Titus, Titian and Tante Titia : on Rembrandt and onomastics
|
2011 |
Koomen, Arjan de |
| 'As thouhgt it had been done by just one Master' : Unity and diversity in the Oranjezaal, Huis ten Bosch
|
2011 |
Eikema Hommes, Margriet van |
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