| Translating 'nudus' : modernity and the British Academy's new clothes
|
2009 |
Clarke, Meaghan |
| Rilke's 'Neue Gedichte' and the visual arts
|
2009 |
Bridge, Helen |
| Critical exchanges : artwriting in eighteenth- and nineteenth-century Europe
|
2009 |
Adlam, Carol |
| Sense of place in eighteenth-century salon criticism
|
2009 |
Wrigley, Richard |
| Relative values? : ideas of 'real' and 'symbolic' worth in 'Fin-de-Siècle' French art criticism
|
2009 |
Simpson, Juliet |
| Criticism, connoisseurship and appreciation
|
2009 |
Hamilton, Andy |
| The torchlight visit : guiding the eye through late eighteenth- and early nineteenth-century antique sculpture galleries
|
2009 |
Mattos, Claúdia |
| Charles Newton and the British Museum : articulating a science of ancient art in the nineteenth century
|
2009 |
Challis, Debbie |
| Ruskin, Whistler, Wilde, Proust : the dispute about creative criticism
|
2009 |
Landerouin, Yves |
| Between isolation and 'Drang nach Westen' : Russian criticism and modern western art around 1900
|
2009 |
Dorontchenkov, Ilia |
| The convergence of ethics and aesthetics : Schiller's concept of the 'Naïve' and objects of distant antiquity
|
2009 |
Deligiorgi, Katerina |
| Profession or politics? : modernism and the rhetoric of art criticism in late imperial Russia, 1898 - 1917
|
2009 |
Cohen, Aaron J. |
| La Font de Saint-Yenne : Jansenism and the beginnings of independent art criticism in France
|
2009 |
Jonker, Marijke |
| Defining art criticism in nineteenth-century Russia : Vladimir Stasov as independent critic
|
2009 |
Makhrov, Alexei |
| Emile Zola's art criticism in Russia
|
2009 |
Blakesley, Rosalind P. |
| Ilia Repin and his critics
|
2009 |
Valkenier, Elizabeth Kridl |
| 'New, strange and beautiful to English eyes' : British reviews of representations of Russia at the beginning of the twentieth century
|
2009 |
Minns, Emma |
| Johann Buhle's 'Zhurnal iziashchnykh iskusstv' : the German source of Russian art criticism
|
2009 |
Napp, Antonia |
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