| Two portrait busts attributed to Guillaume Coustou the elder
|
1965 |
Coolidge, John |
| A note on Francesco Guardi and Hubert Robert
|
1965 |
Hannegan, Barry |
| The iconography of the Elian Graces
|
1965 |
Crelly, William |
| Baron Gros and Napoleon's Egyptian campaign
|
1965 |
Schlenoff, Norman |
| The Campidoglio and sixteenth-century stage design
|
1965 |
Lavin, Irving |
| Van Veen, Michelangelo and Zuccari
|
1965 |
Judson, J. Richard |
| A drawing of the Fornarina as the Madonna
|
1965 |
Hartt, Frederick |
| Domenichino and Lanfranco : the early development of baroque painting in Rome
|
1965 |
Posner, Donald |
| Giulio Romano and the cathedral of Verona
|
1965 |
Laskin, Myron |
| Greek, gothic and nature : 1750 - 1820
|
1965 |
Wiebenson, Dora |
| English Shakespeare illustration and Eugène Delacroix
|
1965 |
Dotson, Esther Gordon |
| Taddeo Zuccaro as a precursor of Annibale Carracci
|
1965 |
Frantz, Mary Ann Graeve |
| The sequence of execution in the Arena Chapel
|
1965 |
Gilbert, Creighton |
| Diana or Bacchus in the Palazzo Riario?
|
1965 |
Ostrow, Stephen Edward |
| Raphael and the Villa Madama
|
1965 |
Huemer, Frances |
| Poussin's Annunciation in London
|
1965 |
Costello, Jane |
| Innocenzio Ringhieri's Giuoco della pittura
|
1965 |
Striker, Cecil L. |
| The Lucretia panel in the Isabella Stuart Gardner Museum in Boston
|
1965 |
Walton, Guy |
| Innovation and tradition in Courbet's Burial at Ornans
|
1965 |
Nochlin, Linda |
| On a painting of Milo of Crotona
|
1965 |
Rosenblum, Robert |
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