| [Rezension von:] Printed images in early modern Britain : essays in interpretation. - Farnham : Ashgate, 2010
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2011 |
Knapp, James A. |
| [Rezension von:] Curd, M. Bryan: Flemish and Dutch artists in early modern England : collaboration and competition, 1460 - 1680. - Farnham : Ashgate, 2010
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2011 |
Peeters, Natasja |
| [Rezension von:] Colantuono, Anthony: Titian, Colonna and the Renaissance science of procreation : Equicola's seasons of desire. - Farnham : Ashgate, 2010
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2011 |
Oettinger, April |
| [Rezension von:] Debby, Nirit Ben-Aryeh: Il pulpito toscano tra '300 e '500. - Rome : Ist. Poligrafico e zecca dello Stato, 2009
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2011 |
Apfelstadt, Eric Charles |
| [Rezension von:] Unger, Daniel M.: Guercino's paintings and his patrons' politics in early modern Italy. - Farnham : Ashgate, 2010
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2011 |
Gage, Frances |
| [Rezension von:] Occhipinti, Carmelo: Primaticcio e l'arte di gettare le statue di bronzo : il mito della "seconda Roma" nella Francia del XVI secolo ; con un'appendice di testi e materiali didattici. - Roma : UniversItalia, 2010
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2011 |
Bensoussan, Nicole |
| [Rezension von:] Conflicting duties : science, medicine and religion in Rome, 1550 - 1750. - London : The Warburg Institute , 2009
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2011 |
Keller, Vera |
| The 2010 Josephine Waters Bennett lecture : Albrecht Dürer as collector
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2011 |
Smith, Jeffrey Chipps |
| [Rezension von:] Titian, Tintoretto, Veronese : rivals in Renaissance Venice. - 1. ed. - Farnham Surrey : Lund Humphries, 2009
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2011 |
Buonanno, Lorenzo G. |
| [Rezension von:] Borromini's book : the "Full relation of the building" of the Roman Oratory / by Francesco Borromini and Virgilio Spada of the Oratory. - 1. publ., Wetherby : Oblong Creative, 2009
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2011 |
Connors, Joseph |
| [Rezension von:] Borromeo, Federico <Kardinal, 1564-1631>: Sacred painting. - Cambridge, Mass. : Harvard University Press, 2010
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2011 |
Prosperetti, Leopoldine |
| [Rezension von:] Cranston, Jodi: The muddied mirror : materiality and figuration in Titian's later paintings. - University Park, Pa. : Pennsylvania State University Press, 2010
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2011 |
Nygren, Christopher J. |
| [Rezension von:] La réception de modèles "cinquecenteschi" dans la théorie et les arts français du XVIIe siècle. - Genève : Droz, 2010
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2011 |
Senkevitch, Tatiana V. |
| [Rezension von:] Wright, D. R. Edward: Il De Pictura di Leon Battista Alberti e i suoi lettori (1435 - 1600). - Firenze : Olschki, 2010
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2011 |
Nygren, Barnaby Robert |
| [Rezension von:] Petter-Wahnschaffe, Katrin: Hans Holbein und der Stalhof in London. - Berlin : Deutscher Kunstverlag, 2010
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2011 |
Roberts, Daniela |
| [Rezension von:] Friedman, John Block: Brueghel's heavy dancers : transgressive clothing, class, and culture in the late middle ages. - 1. ed. - Syracuse, NY : Syracuse University Press, 2010
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2011 |
Bridgeman, Jane |
| [Rezension von:] Art, piety and destruction in the Christian West, 1500 - 1700. - Farnham : Ashgate, 2010
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2011 |
Merriam, Susan |
| [Rezension von:] Springer, Carolyn: Armour and masculinity in the Italian Renaissance. - Toronto : University of Toronto Press, 2010
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2011 |
McCall, Timothy |
| [Rezension von:] Roeck, Bernd: Ketzer, Künstler und Dämonen : die Welten des Goldschmieds David Altenstetter ; eine Reise in die Renaissance. - München : Beck, 2009
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2011 |
Rankin, Alisha Michelle |
| [Rezension von:] Kaufmann, Thomas DaCosta: Arcimboldo : visual jokes, natural history, and still life painting. - Chicago : University of Chicago Press, 2009
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2011 |
Maxwell, Susan |
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