| The challenge of Kosovo
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2024 |
Maniura, Robert |
| The past in the present : Eleanor Antin, Jewish art and 1990s America
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2024 |
Julius, Chloë |
| Community as Gesamtkunstwerk : Dick Ket's self-portraiture and the debt of epic film
|
2024 |
Lebas Huber, Stephanie |
| Material masquerade : porcelain, sugar, and race on the eighteenth-century French dining table
|
2024 |
Caticha, Alicia |
| Where is the Muranów Lily? : unearthing traces of queer Jewishness in contemporary Warsaw
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2024 |
Gajowy, Aleksandra |
| Monumental ephemera : British sculpture in the Arctic, icebergs in London, an Inuit map
|
2024 |
Cheetham, Mark A. |
| Palpable privilege and performative stones : [Rezension von: The mineral and the visual : precious stones in medieval secular culture / Brigitte Buettner. - University Park, Pennsylvania : The Pennsylvania State University Press, [2022]]
|
2024 |
Pointon, Marcia |
| Figure, ground and the logic of painting : [Rezension von: Groundwork : a history of the Renaissance picture / David Young Kim. - Princeton ; Oxford : Princeton University Press, [2022]]
|
2024 |
Nygren, Christopher J. |
| The AIA 1951 Lithographs : contesting national identity in intermodern prints
|
2024 |
Clegg, Michael |
| When art history meets artificial intelligence : [Rezension von: Computational formalism : art history and machine learning / Amanda Wasielewski. - Cambridge, Massachusetts : The MIT Press, [2023]. - (Leonardo)]
|
2024 |
Brown, Kathryn |
| Printed design proposals as salvaged remainders of the goldsmith's workshop
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2024 |
Brisman, Shira |
| Twentieth-century Italian art and the politics of display : [Rezension von: Curating Fascism : exhibitions and memory from the fall of Mussolini to today / edited by Sharon Hecker and Raffaele Bedarida. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, [2023]. - (Visual cultures and Italian contexts // Exhibiting Italian art in the United States from futurism to Arte Povera : "like a giant screen" / by Raffaele Bedarida. - New York ; London : Routledge, Taylor & Francis Group, 2022. - (Routledge research in art museums and exhibitions)]
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2024 |
Minnucci, Roberta |
| Séances, art and embodied affordances : [Rezension von: Modern spiritualism and Scottish art : Scots, spirits and séances, 1860-1940 / Michelle Foot. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2023. - (Bloomsbury collections) // The art of ectoplasm encounters with Winnipegs Ghost photographs / edited by Serena Keshavjee, 2023]
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2024 |
Andrick, John M. |
| Eros, inc.: Cupid, capital, and the crash of 1720
|
2024 |
Dubin, Nina L. |
| Ecology, pathology, and the life of paper
|
2024 |
Gagné, John |
| The form of memory : Delacroix and the sketchbook
|
2024 |
Olmsted, Jennifer W. |
| The invisible sainthood of Mariana de Jesús Paredes y Flores
|
2024 |
Friedman, Hannah Joy |
| May Morris, Egypt, and coptic textiles
|
2024 |
Cooper, Thomas |
| Voices of resistance: unveiling feminist art in Latin America : [Rezension von: The political body : stories on art, feminism, and emancipation in Latin America / Andrea Giunta ; translated by Jane Brodie. - Oakland, California : University of California Press, [2023]. - (Studies on Latin American art ; 6) // Dissident practices : Brazilian women artists, 1960s-2020s / Claudia Calirman. - Durham : Duke University Press, [2023]]
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2024 |
Sassu Suarez Ferri, Natalia |
| Laissez-passer: papering over the French revolutionary past
|
2024 |
Taws, Richard |
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