The inequalities of infamy
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2016 |
Mainz, Valerie |
Art history on the radio : Walter Benjamin and Wilhelm Pinder, 1930/1940
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2016 |
Wilkinson, Tom |
Disrupting capital
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2016 |
Federici, Valeria |
Since when has sculpture looked modern?
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2016 |
Macsotay Bunt, Tomas |
Hermès in Asia : haute couture, high art and the marketplace
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2016 |
Wu, Chin-tao |
Rules Methods of engagement : or, sublime ambivalence and Charlie's genealogy
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2016 |
Smylitopoulos, Christina |
Exposing German communist realities
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2016 |
Van Dyke, James A. |
"He painted everything, so to say, from his head" : Arnold Böcklin's great memory and artistic practice in Wilhelmine Germany
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2016 |
Frank, Mitchell B. |
Beholder, beheld, beholden : theatricality and capitalism in Fried
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2016 |
Grudin, Anthony Equord |
Desire and the diagrammatic
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2016 |
Iversen, Margaret |
Treasuries of loss
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2016 |
Zorach, Rebecca |
Proust and old time : on "Chardin" and "Watteau"
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2016 |
Padiyar, Satish |
The "bare wall" : interior design, painting, and professional politics in Late Weimar Germany
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2016 |
Pegioudis, Nikos |
The philosopher's room : Diderot's "Regrets on parting with my old dressing gown"
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2016 |
Scott, Katie |
Size matters
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2016 |
Wittman, Richard |
Regrets on parting with my old dressing gown
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2016 |
Diderot, Denis |
Byzantine icons and things
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2016 |
Stephenson, Paul |
Helen Weston "in three positions"
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2016 |
Scott, Katie |
Robert Moris's minimal sculpture, the rise of the gallery network and the aesthetics of commodified art
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2016 |
Hodge, David |
The perils of patrimoine : art, history, and narrative in the Immigration History Museum, Paris
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2016 |
Sherman, Daniel J. |