| Closer looking : computer vision in material studies of art
|
2024 |
Mintie, Katherine |
| Icons of the Nursing Virgin in fifteenth-century Ethiopia
|
2024 |
Sperling, Jutta Gisela |
| Bound and boarded: policing Native motherhood in US art and culture
|
2024 |
Klein, Shana |
| The materials of shame : decoration, masculinity, and the birth of modern interior design
|
2024 |
Potvin, John |
| Queering the minimalist interior
|
2024 |
Rohan, Timothy M. |
| After art history? : artworks as data
|
2024 |
Brown, Kathryn |
| "Spanish" casta paintings in nineteenth-century Britain
|
2024 |
Earle, Rebecca |
| "Interior decorator is dead"
|
2024 |
Friedman, Alice T. |
| Sewn in place : gender, materiality, and mapmaking in the early United States
|
2024 |
Eager, Elizabeth |
| [Rezension von: Cold War camera / Thy Phu, Andrea Noble, Erina Duganne. - 2023]
|
2024 |
Collier, Delinda |
| Love, luxury, and live spectacle : narrative paintings and women's patronage under the Northern Wei
|
2024 |
Xu, Jin |
| Dancing through Dada : Suzanne Duchamp's Scottish Espagnole
|
2024 |
Kwartler, Talia |
| [Rezension von: Jasmine Nichole Cobb: New growth. - 2022]
|
2024 |
Barber, Tiffany E. |
| Welcome to the gayborhood : Beacon Hill between the wars
|
2024 |
Murphy, Kevin D. |
| Mineral analogs : Carleton Watkins's photographs and the gold standard
|
2024 |
Bravo, Monica |
| [Rezension von: Megan Doherty: Engraving accuracy in early modern England. - 2022 // Melissa Lo: Skepticism's pictures. - 2023]
|
2024 |
Noyes, Ruth S. |
| [Rezension von: Taylor Arnold: Distant viewing. - 2023 // Diana Kamin: Picture-work. - 2023]
|
2024 |
Pugh, Emily |
| [Rezension von: Grafted arts : art making and taking in the struggle for Western India, 1760-1910 / Holly Shaffer. - 2022 // The place of many moods : Udaipur's painted lands and India's eighteenth century / Dipti Khera. - 2020]
|
2024 |
Kavuri-Bauer, Santhi |
| Introduction: art history after computer vision
|
2024 |
Mansfield, Elizabeth C. |
| Computer vision in the Archives
|
2024 |
Pugh, Emily |
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