| Symmetry in science and art
|
1960 |
Speiser, Andreas |
| The city and the arts
|
1960 |
Sekler, Eduard F. |
| Film making as an art
|
1960 |
Kaufman, Boris |
| On physiognomic perception
|
1960 |
Gombrich, Ernst H. |
| The roots of symbolic expression
|
1960 |
Giedion, Sigfried |
| A human document
|
1960 |
Gardner, Robert |
| On photography
|
1960 |
Steichen, Edward |
| Architecture and the arts
|
1960 |
Le Corbusier |
| Picasso's "Guernica"
|
1960 |
Sandberg, Willem Jacob Henri Berend |
| Advertisement: ad vivum or ad hominem?
|
1960 |
Rand, Paul |
| Pictures, perspective and perception
|
1960 |
Gibson, James J. |
| Cinematography : the creative use of reality
|
1960 |
Deren, Maya |
| The changing concept of proportion
|
1960 |
Wittkower, Rudolf |
| On artistic sensibility
|
1960 |
Langer, Susanne Katherina Knauth |
| Work, leisure, and creativity
|
1960 |
Mead, Margaret |
| Organic form : scientific and aesthetic aspects
|
1960 |
Weiss, Paul |
| Art history and the problems of criticism
|
1960 |
Ackerman, James S. |
| Body, mind, and art
|
1960 |
Deutsch, Felix |
| Alienated affections in the arts
|
1960 |
Burchard, John E. |
| The ambivalence of realism : fragment of an essay
|
1960 |
Amberg, George |
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