| Two new attributions : a Tocqué and a Bellotto in Melbourne
|
2008 |
Villis, Carl |
| Raising the flag of modernism : Ben Nicholson's 1938
|
2008 |
Matthiesson, Sophie |
| Edgar Degas's Portrait of a woman
|
2008 |
Gott, Ted |
| Military objectives : some reflections on the forgotten Second World War artist Louis Duffy
|
2008 |
Gott, Ted |
| The Melbourne Finding of Moses : steps towards a new attribution
|
2008 |
Willis, Zoë |
| Depictions of Aboriginal people in colonial Australian art : settler and unsettling narratives in the works of Robert Dowling
|
2008 |
Clegg, Humphrey |
| Brook Andrew : ethical portraits and ghost-scapes
|
2008 |
Langton, Marcia |
| Paysages de mer : Corbet's The Wave
|
2007 |
White, Anthony |
| A brush with fidelity : three works by Eugène von Guérard
|
2007 |
Varcoe-Cocks, Michael |
| Embodied modernism : visual arts and the aesthetics of Roger Kemp and Rudolf Steiner
|
2007 |
Marshall, Jonathan Paul |
| A knight in shining armour, a virgin : Uccello's Melbourne Saint George and the dragon and Oxford Annunciation
|
2006 |
Hudson, Hugh |
| Revisiting Canaletto and Panini at Farnborough Hall
|
2005 |
Marshall, David Ryley |
| No form can be spatial : the origins of Lucio Fontana's Spatial concept
|
2005 |
White, Anthony |
| Buying for the future : Mary Woodall and Italian old master paintings
|
2004 |
Tzamouranis, Peter |
| Finding light in the shadows : the cleaning and restoration of Tiepolo's The banquet of Cleopatra
|
2004 |
Payne, John |
| Phantasy and myth : Parmigianino's Huntsman drawing
|
2004 |
Brown, Fiona |
| The Madonna of the Future : O. G. Rejlander and Sassoferrato
|
2004 |
Crombie, Isobel |
| Sassoferrato at the National Gallery of Victoria
|
2004 |
Vaughan, Gerard |
| A Bernini self-portrait?
|
2002 |
Marshall, David Ryley |
| A seventeenth-century Anglo-Venetian vessel, with Dutch engraving, at the National Gallery of Victoria
|
2000 |
Piscioneri, Vincenzo J. |
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