| Robert and Sonia Delaunay
|
1985 |
Overy, Paul |
| "Ouverture" : Castello di Rivoli, Turin (December 1984)
|
1985 |
Demarco, Richard |
| Architecture of Baku
|
1985 |
Spens, Michael |
| Kunst mit Eigen-Sinn : in their own right ; Womens' Art in Vienna 29 March - 12 May, 1985
|
1985 |
Brett, Guy |
| Francis Bacon : new transmutations of an autumn rose
|
1985 |
McEwen, John |
| Blue Danube, China Blue : Traum und Wirklichkeit (Dream and reality), Vienna 1870 - 1930
|
1985 |
Spens, Michael |
| Giacometti : a view from the interior
|
1985 |
Gibson, Eric |
| Pop music and the video revolution
|
1985 |
Walker, John Albert |
| Architecture into art : every event requires a building or every building desires an event
|
1985 |
Alsop, William |
| The tree is paint : Ivon Hitchens, Weddington Galleries, London
|
1985 |
Collier, Caroline |
| Frank Lloyd Wright : first European Exhibition of Decorative Arts 26 June - 30 August, Fischer Fine Art, London
|
1985 |
Hanks, David A. |
| Cisitalia
|
1985 |
Nahum, Andrew |
| Art camouflaged as furniture
|
1985 |
Warner, Patricia |
| A Woodchopper's Ball at Agnew's
|
1985 |
Ormond, Richard |
| Munch, melodrama and modernism
|
1985 |
Overy, Paul |
| Matta's multiple awareness
|
1985 |
Overy, Paul |
| New sculpture by Rela Banks
|
1985 |
Amaya, Mario |
| [Rezension von:] Berger, John: And our faces, my heart, brief as photos. - London, 1984
|
1985 |
Coleman, John |
| Flames in places : Magdalena Jetelová ; Riverside Studios, London
|
1985 |
Collier, Caroline |
| White horses ... : Christopher Le Brun
|
1985 |
Collier, Caroline |
Tag hinzufügen