| Criteria of the 'Vraisemblable' in Baroque literature and painting
|
1981 |
Kronegger, Marlies E. |
| The energies of the exotic in Byron and Delacroix
|
1981 |
Garber, Frederick |
| Perspective in Renaissance literature and art : from the observer to the observer observed
|
1981 |
Limbrick, Elaine |
| Das Verhältnis von Kunst und Literatur im Schaffen Ernst Barlachs
|
1981 |
Mazur, Ewa Maria |
| La littérature et les autres systèms
|
1981 |
Peleš, Gajo |
| L' Art Nouveau dans la peinture et la littérature
|
1981 |
Grygar, Mojmír |
| Illuminated literary structure : the miniatures of the European 'Seven Sages Cycle' as organizers of narrative
|
1981 |
Runte, Hans R. |
| Brazilian concrete : painting, poetry, time, and space
|
1981 |
Clüver, Claus |
| Avant-garde literature and painting
|
1981 |
Flaker, Aleksandar |
| La galerie des poetes : Marino et Soudéry
|
1981 |
Giraud, Yves |
| From serenity to anger : some illustrators of Dante
|
1981 |
Barricelli, Jean-Pierre |
| "Wounded by Love" : an inquiry into dramatizations of sacred love as exemplified in the Baroque Magdalens of Titian and Southwell
|
1981 |
Malvern, Marjorie M. |
| "The Starry Night" : the poetry of Anne Sexton and its relationship to painting
|
1981 |
Marras, Emma |
| Discours pictural et discours littéraire selon André Gide : problèmes de transition
|
1981 |
Geerts, Walter |
| Renaissance English title-pages and frontispieces : visual introductions to verbal texts
|
1981 |
Farmer, Norman K. |
| Italian canvases in Lope de Vega's 'Comedias' : the case of "Venus and Adonis"
|
1981 |
Armas, Frederick A. de |
| Die Aeternisierung der Fluktuation : über d. Prozeß d. Wahrnehmung bei Beckett und Giacometti
|
1981 |
Kesting, Marianne |
| Le motif de la mort dans l'art et la littérature néoclassiques
|
1981 |
Pál, József |
| Merz und 391 : Beispiele sprach- u. bildkünstler. Integration
|
1981 |
Meissner, Wolfgang |
| Stendhal et L'Histoire de la peinture en Italie
|
1981 |
Caramaschi, Enzo |
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