| A Princeton Pieta
|
1955 |
Forsyth, William H. |
| The Deisis mosaic in the Kahrie Cami at Istanbul
|
1955 |
Underwood, Paul Atkins |
| On some icons of the seventh century
|
1955 |
Kitzinger, Ernst |
| Diocletian's farewell
|
1955 |
Bellinger, Alfred R. |
| The dead Christ on the cross in Byzantine art
|
1955 |
Martin, John Rupert |
| A renascence of early Christian art in thirteenth century Venice
|
1955 |
Demus, Otto |
| St. Gregory of Nissa and St. Augustine on the symbolism of the cross
|
1955 |
Ladner, Gerhart B. |
| "Facies illa Rogeri Maximi pictoris"
|
1955 |
Panofsky, Erwin |
| The "monastic" Psalter of the Walters Art Gallery
|
1955 |
Miner, Dorothy Eugenia |
| A school of miniature painting in Norman Sicily
|
1955 |
Buchthal, Hugo |
| Observations on Duccio's Maestà
|
1955 |
DeWald, Ernest T. |
| S. Gregory Nazianus and the proper hymns for easter
|
1955 |
Strunk, Oliver |
| The "snake-eating stag" in the East
|
1955 |
Ettinghausen, Richard |
| Gewaltherrscher und Theaterkönig
|
1955 |
Alföldi, Andreas |
| The illustrations of the Metaphrastian Menologium
|
1955 |
Der Nersessian, Sirarpie |
| An ascetic sect of iconoclasts in seventh century Armenia
|
1955 |
Alexander, Paul J. |
| The S. Niccolònarratives by Ambrogio Lorenzetti
|
1955 |
Rowley, George |
| The "Adventus" ceremony and the slaying of Pentheus as represented in two mosaics of about A.D. 300
|
1955 |
L'Orange, Hans Peter |
| Aponius and Orosius on the significance of the Epiphany
|
1955 |
Mommsen, Theodor E. |
| The Adam and Eve cycle in the "Hortus deliciarum"
|
1955 |
Green, Rosalie B. |
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