The representation of the invisible reflections on Christian iconology
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| Veröffentlicht in: | Vision and artifact / Mary Henle, ed. |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
1976
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| Schlagworte: | |
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Illuminating comparisons in the arts | 1976 | Gardner, Howard |
| The representation of the invisible : reflections on Christian iconology | 1976 | Zucker, Wolfgang M. |
| Basic structures in the earliest beginnings of artistic activity | 1976 | Schaefer-Simmern, Henry |
| Le Corbusier's use of "pictorial word" in his tapestry La Femme et le Moineau | 1976 | Sekler, Eduard F. |
| Single vision with doubled images : a historic problem | 1976 | Held, Richard |
| What does "more transparent" mean? : a paradox | 1976 | Metelli, Fabio |
| Formal analysis of a painting by Jan Vermeer | 1976 | Hess, Walter |
| Blue Night by Paul Klee | 1976 | Teuber, Marianne L. |
| Art and social change | 1976 | Ashton, Dore |
| Convexity and symmetry in figure-ground organization | 1976 | Kanizsa, Gaetano |
| Attention, brightness, and the constructive eye | 1976 | Kennedy, John M. |
| The apparent rotation of pictorial scenes | 1976 | Wallach, Hans |
| From contrast to assimilation : in art and in the eye | 1976 | Jameson, Dorothea |