Art and language : the contest for the modern
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1989 |
Harrison, Charles |
Annibale Carraci's self portraits and the Paragone Debate
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1989 |
Winner, Matthias |
The image of the artist in Diderot's Salons
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1989 |
Lochhead, Ian J. |
Artist and artisan in the age of industry : professional redefinition from the Pre-Raphaelite Brotherhood to the Arts and Crafts movement
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1989 |
Lutchmansingh, Larry D. |
Caspar David Friedrich : the Monk on the Seashore
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1989 |
Boime, Albert |
The devil's writing : diabolic literacy in medieval art
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1989 |
Camille, Michael |
Hieroglyphs - signs and art
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1989 |
Hornung, Erik |
Picasso's 1912 'Papiers Collés' : "La bataille s'est engagée"
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1989 |
Johnson, Diane Chalmers |
Michelangelo draws : communication and revelation
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1989 |
Rosand, David |
The prince as artisan and artist
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1989 |
Liebenwein, Wolfgang |
The self-created Bandinelli
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1989 |
Brandt, Kathleen Weil-Garris |
The sculptor's self-image from Falconet to David d'Angers
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1989 |
West, Alison |
Jerusalem, D. C. (David City) : the pun and the ready-made
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1989 |
Dolev, Nevet |
The crisis of the condition of the artist in constructivism
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1989 |
Brendel, Jànos |
Various images of writing : notes toward a classification
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1989 |
Hollander, John |
Elementi ornamentali di tipo arabo nelle miniature delle àree di Bologna e di Padova all'inizio del XIV secolo
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1989 |
Flores D'Arcais, Francesca |
Word and image in Carolingian carmina figurata
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1989 |
Sears, Elizabeth |
Diction in the "Bibles of the Illiterate"
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1989 |
Kessler, Herbert Leon |
L' artiste créateur d'un musée pour son oeuvre : l' exemple de Gustave Moreau
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1989 |
Lacambre, Geneviève |
Liberal academicians and the new social elite in grand ducal Florence
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1989 |
Barzman, Karen-edis |