| Patrons or clients?
|
1987 |
Gutman, Robert |
| The architecture of plenty : theory and design in the Marketing Age
|
1987 |
Kieran, Stephen |
| Le Corbusier's Maison Errázuriz : a conflict of fictive cultures
|
1987 |
Collins, Christiane Crasemann |
| A taste of money : architecture and criticism in Houston
|
1987 |
Ghirardo, Diane Yvonne |
| Criticism, representation and experience in contemporary architecture : architecture and drawing in an age of criticism
|
1987 |
Whiteman, John |
| Why Classicism?
|
1986 |
Ackerman, James S. |
| A millenarian hope : the architecture of Emilio Ambasz
|
1986 |
Smith, Philip |
| Precedent and invention : design in the field of tension
|
1986 |
Zanoni, Tomaso |
| Invention and tradition in the making of American place
|
1986 |
Brown, Denise Scott |
| "Bad enough to be good enough" : precedence and type in Montgomery Schuyler's "Architectural Aberrations"
|
1986 |
Lipstadt, Hélène |
| Photomontage and its audiences : Berlin, circa 1922
|
1986 |
Hays, K. Michael |
| Erasing the Ghost of Perrault
|
1986 |
Hinson, Mary Alice Dixon |
| J. C. Nichols, the Country Club Plaza, and notions of Modernity
|
1986 |
Longstreth, Richard W. |
| The architecture of Socialist Realism in Hungary 1951 - 1955
|
1986 |
Moravánszky, Ákos |
| Between history and tradition : notes toward a theory of precedent
|
1986 |
Hancock, John |
| Principles in the architecture of Alvar Aalto
|
1986 |
Duany, Andrés |
| Monumentality and the American city
|
1984 |
Koetter, Alfred |
| The song of the sirens : a rhetoric of urban monumentality
|
1984 |
Warke, Val K. |
| Collective significance
|
1984 |
Safdie, Moshe |
| The futility of objects : decomposition and the processes of difference
|
1984 |
Eisenman, Peter |
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