| "Comedy, pathos, delight, and horror" : satire in the work of Joyce J. Scott
|
2024 |
Wolfskill, Phoebe |
| [Rezension von: Laura Phipps: Jaune Quick-to-See Smith - memory map. - 2023]
|
2024 |
Feinstein, Roni |
| [Rezension von: Christa Clarke: The Activist collector. - 2022]
|
2024 |
Girma, Henone |
| [Rezension von: Mayumi Hamada: Viva Video!.- 2021 // Erica Papernik-Shimizu: Shigeko Kubota - Liquid reality. - 2021]
|
2024 |
Shaskevich, Helena |
| [Rezension von: Jennifer S. Griffiths: Marisa Mori and the Futurists. - 2023]
|
2024 |
Kraft-Ainsworth, Tara |
| [Rezension von: Meret Oppenheim - mein Album. - 2022 // Giulia Ingarao: Leonora Carrington - the image of dreams. - 2022]
|
2024 |
Kwartler, Talia |
| A sculptor's legacy : Meta Vaux Warrick Fuller's scrapbook
|
2024 |
Passannante, Rachel |
| Inside and outside of "queer" : Deborah Kass's Feel Good Paintings For Feel Bad Times
|
2024 |
Triandos, Theo |
| [Rezension von: Elissa Auther: Sonya Clark - We are each other. - 2023]
|
2024 |
nelson, crystal am |
| [Rezension von: Hannah Wilke - art for life's sake. - 2021]
|
2024 |
Vigneault, Marissa |
| [Rezension von: Marianne Mathieu: Berthe Morisot. - 2023]
|
2024 |
Dabbs, Julia K. |
| [Rezension von: Jennifer R. Gross: Mina Loy. - 2023]
|
2024 |
Skye Murphy, Martha |
| Entangling race, gender, and antebellum Savannah : Sharon Norwood's Owens-Thomas House intervention
|
2024 |
Betz, Margaret Bridget |
| [Rezension von: Catherine Grant ; Bird Williams: A time of one's own. - 2022]
|
2024 |
Griffiths, Jennifer S. |
| Committed to survival : the womanist visions of Varnette P. Honeywood and Anne F. Lee
|
2024 |
nelson, crystal am |
| From the empty dress to the advent of the goddess Maemoto Shōko : 1980s to the present
|
2023 |
Reiko, Kokatsu |
| [Rezension von: Artemisia Gentileschi and feminism in early modern Europe / Mary D. Garrard. - 2020]
|
2023 |
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| Parallel perspectives
|
2023 |
Marter, Joan M. |
| [Rezension von: Magnetic woman : Toyen and the surrealist erotic / Karla Huebner. - 2020]
|
2023 |
Busby, Ashley |
| The vibrant material of Frances Kuehn
|
2023 |
Cammarata-Seale, Heather |
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