| Constantinople and Cappadocia in the eleventh century : center and periphery
|
1989 |
Grishin, Alexander D. |
| The medieval architectural module : generating and ornamental concept
|
1989 |
Bucher, François |
| A geometrical system of city design in the ancient world based on equilateral triangles
|
1989 |
Brun, Richard |
| Exeter and Italy : assimilation and adaptation of a style ; the question of Italian Trecento sources in the sculptured front of Exeter Cathedral (fourteenth century)
|
1989 |
Muratova, Ksenija D. |
| Le cas de "L'art suisse"
|
1989 |
Gamboni, Dario |
| The theory of centripetal implosion and the birth of Gothic architecture
|
1989 |
Gardner, Stephen |
| The Christian use of the tetragram
|
1989 |
Reuterswärd, Patrik |
| Central issues and peripheral debates in seventeenth-century art literature : Carlo Cesare Malvasia's, Felsina Pittrice
|
1989 |
Perini Folesani, Giovanna |
| L' échiquier et la forme "tableau"
|
1989 |
Damisch, Hubert |
| Depiction and perception
|
1989 |
Peacocke, Christopher |
| Problems of Central European art, c. 1400 : the Thomas de Coloswar altarpiece in Hungary
|
1989 |
Török, Gyöngyi |
| The relation between the abstract and phenomenal elements in the work of Vojtěch Preissig
|
1989 |
Vlček, Tomáš |
| The transfer of Mithraic iconography from Central Asia to Rome
|
1989 |
Lozinski, Bohdan Philip |
| Lace-design methods in late medieval Spain
|
1989 |
Donaire, Alberto |
| Some values of artistic periphery
|
1989 |
Białostocki, Jan |
| Geometric schemes for plant beds and gardens : a contribution to the history of the garden in the sixteenth and seventeenth centuries
|
1989 |
Tongiorgi Tomasi, Lucia |
| Computer grammars for the syntactical analysis of paintings
|
1989 |
Kirsch, Joan L. |
| Tenderness and hegemony : exporting the Virgin Eleousa
|
1989 |
Wharton, Annabel Jane |
| Le cas du surréalisme portugais
|
1989 |
Sobral, Luís de Moura |
| The aesthetic recognition of ancient American art (1492 - 1842)
|
1989 |
Kubler, George |
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