| Goya's critical witnessing : [Rezension von: Francisco de Goya and the art of critique / Anthony J. Cascardi. - New York : Zone Books, 2022 // The art of witnessing : Francisco de Goya's "Disasters of war" / Michael Iarocci. - Toronto ; Buffalo ; London : University of Toronto Press, [2023]. - (Toronto Iberic) // Goya and the mystery of reading]
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2024 |
Cerón, Mercedes |
| Notes on a fragment: Zarina's "Dividing Line"
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2024 |
Kumar, Aparna |
| Land Art Submerged : Betty Beaumont's "Ocean Landmark" and art history beyond proximity
|
2024 |
Curtis, Francesca |
| Introduction: political ecologies of paper in early modern art, 1500-1800
|
2024 |
Brisman, Shira |
| Octopodal pictorialia : the self-reflexivity of the octopus in Graeco-Roman arts
|
2024 |
Bates, Albert |
| Imaging authority, authorship and mortality in late medieval and early modern Europe : [Rezension von: The death arts in Renaissance England : a critical anthology / edited by William E. Engel, University of the Sout, Sewanee, Rory Loughnane, University of Kent, Grant Williams, Carleton University, Ottawa. - Cambridge : Cambridge University Press, [2022] // The birth of the author : pictorial prefaces in glossed books of the twelfth century / Jeffrey F. Hamburger. - Toronto, Ontario, Canada : PIMS, Pontifical Institute of Mediaeval Studies, [2021]. - (Studies and texts / Pontifical Institute of Mediaeval Studies ; 225)(Text, image, context ; 9) // Early colour printing : German Renaissance woodcuts at the British Museum / Elizabeth Savage. - London : Paul Holberton Publishing, [2021]]
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2024 |
Murray, Patrick J. |
| Paper and textile encounters in the pacific
|
2024 |
Fowler, Caroline O. |
| Eros, inc.: Cupid, capital, and the crash of 1720
|
2024 |
Dubin, Nina L. |
| Ecology, pathology, and the life of paper
|
2024 |
Gagné, John |
| The form of memory : Delacroix and the sketchbook
|
2024 |
Olmsted, Jennifer W. |
| The invisible sainthood of Mariana de Jesús Paredes y Flores
|
2024 |
Friedman, Hannah Joy |
| May Morris, Egypt, and coptic textiles
|
2024 |
Cooper, Thomas |
| Voices of resistance: unveiling feminist art in Latin America : [Rezension von: The political body : stories on art, feminism, and emancipation in Latin America / Andrea Giunta ; translated by Jane Brodie. - Oakland, California : University of California Press, [2023]. - (Studies on Latin American art ; 6) // Dissident practices : Brazilian women artists, 1960s-2020s / Claudia Calirman. - Durham : Duke University Press, [2023]]
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2024 |
Sassu Suarez Ferri, Natalia |
| Laissez-passer: papering over the French revolutionary past
|
2024 |
Taws, Richard |
| Twentieth-century Italian art and the politics of display : [Rezension von: Curating Fascism : exhibitions and memory from the fall of Mussolini to today / edited by Sharon Hecker and Raffaele Bedarida. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, [2023]. - (Visual cultures and Italian contexts // Exhibiting Italian art in the United States from futurism to Arte Povera : "like a giant screen" / by Raffaele Bedarida. - New York ; London : Routledge, Taylor & Francis Group, 2022. - (Routledge research in art museums and exhibitions)]
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2024 |
Minnucci, Roberta |
| Séances, art and embodied affordances : [Rezension von: Modern spiritualism and Scottish art : Scots, spirits and séances, 1860-1940 / Michelle Foot. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2023. - (Bloomsbury collections) // The art of ectoplasm encounters with Winnipegs Ghost photographs / edited by Serena Keshavjee, 2023]
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2024 |
Andrick, John M. |
| The challenge of Kosovo
|
2024 |
Maniura, Robert |
| The past in the present : Eleanor Antin, Jewish art and 1990s America
|
2024 |
Julius, Chloë |
| Community as Gesamtkunstwerk : Dick Ket's self-portraiture and the debt of epic film
|
2024 |
Lebas Huber, Stephanie |
| Material masquerade : porcelain, sugar, and race on the eighteenth-century French dining table
|
2024 |
Caticha, Alicia |
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