| On some works by Maurice Prendergast
|
1985 |
Spencer, Harold |
| Chasing a Bronze Bacchante
|
1984 |
Cummings, Hildegard |
| The wit of Burne-Jones : studies for the head of Andromeda, the 'Rock of doom' panel, Perseus series
|
1984 |
Sonstroem, David |
| Salviati's art of elaboration : Triton riding a sea creature
|
1983 |
Talvacchia, Bette |
| Braque's job : the imprint of cubism
|
1983 |
Terenzio, Stephanie |
| Gilbert Munger 'on the trail'
|
1982 |
Cummings, Hildegard |
| Notes on two seventeenth-century drawings
|
1982 |
Bruhn, Thomas P. |
| Portrait of a gentleman by Aimée Duvivier
|
1981 |
Abromson, Morton Colp |
| The hammered image : comments on the sculpture of Saul Baizerman
|
1981 |
Knobler, Nathan |
| Triptychs for American servicemen during World War II
|
1980 |
Hoglund, A. William |
| A note to an unidentified Seventeenth Century painting
|
1980 |
Bruhn, Thomas P. |
| The wholeness of Fairfield Porter's Vision
|
1979 |
Doudera, Gerard |
| Rembrandt Peale's Portrait of Captain Paul Ambrose Oliver and His Daughter Mary, 1825
|
1979 |
Staiti, Paul J. |
| Expressionist or impressionist? : Arthur Segal's 'Strandimpression' of 1913
|
1978 |
Broeder, Frederick den |
| Willem Duyster : soldiers and hostages
|
1978 |
Bruhn, Thomas P. |
| Oscar Bluemner in black and white
|
1977 |
Brodsky, Joyce |
| Criehaven : a Bellows pastoral
|
1977 |
Spencer, Harold |
| Nicholas Vasilieff and the making of a style
|
1976 |
Terenzio, Stephanie |
| Eastman Johnson and Horatio Bridge
|
1976 |
Cummings, Hildegard |
| Gabriele Münter in 1908
|
1974 |
Terenzio, Stephanie |
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