| Examination and treatment of Rembrandt's "Titus, the artist's son"
|
1972 |
Silberfeld, Kay |
| A Burgundian statue of the Virgin and Child of the 14th century
|
1972 |
Verdier, Philippe |
| Some little known old master drawings in the Baltimore Museum of Art
|
1972 |
Rearick, William R. |
| The aesthetics of French romantic painting
|
1972 |
Boas, George |
| The Gutman Missal and its puzzles
|
1972 |
Miner, Dorothy Eugenia |
| Le Prince and Wouwerman
|
1972 |
Stechow, Wolfgang |
| Red-yellow-blue : a color triad in 17th century painting
|
1972 |
Parkhurst, Charles |
| A note on John Russel Pope, architect, 1874 - 1937
|
1972 |
Stanton, Phoebe B. |
| The print as subject
|
1972 |
Fern, Alan M. |
| Paul Klee at the Baltimore Museum of Art
|
1972 |
Messer, Thomas M. |
| Transformations and imaginery views by Alfred Jacob Miller
|
1968 |
Randall, Richard H. |
| The tenth muse in the Baltimore Museum of Art
|
1968 |
Spencer, Eleanor P. |
| The music in van Dyck's "Rinaldo and Armida"
|
1968 |
Mathews, Shirley |
| Charles Peale Polk : a Baltimore portraitist
|
1968 |
Johnston, William R. |
| "Grenoble Bridge" by J. M. W. Turner
|
1968 |
Johnson, Diana F. |
| Quality in sculpture
|
1968 |
Seitz, William Chapin |
| Giandomenico Tiepolo e il tema di Rinaldo e Armida
|
1968 |
Pignatti, Terisio |
| An undescribed Picasso print "Portrait of Fernande Olivier"
|
1968 |
Carlson, Victor |
| Marguerite Gerard and her stylistic significance
|
1968 |
Levitine, George |
| "A wild scene" : genesis of a painting
|
1967 |
Merritt, Howard S. |
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