Letters from an electrostatic experimenter
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1990 |
Godown, Linton |
Art and technology in Hungarian education, conflicts and compromises
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1990 |
Kárpáti, Andrea |
Randomness, rules and compositional structure in design
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1990 |
Eckersley, Michael |
Tapestry design
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1990 |
Yun-Fu, Yuan |
Mind/Senses/Hand : the generative systems program at the Art Institute of Chicago 1970 - 1980
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1990 |
Sheridan, Sonia Landy |
Image generation survey: visualizing time via computers
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1990 |
Sheridan, Sonia Landy |
Homography : visualizing time
|
1990 |
Sheridan, Sonia Landy |
[Rezension von:] Faxon, Alicia Craig: Dante Gabriel Rossetti. - Oxford : Phaidon Press, 1989
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1990 |
Cooper, John W. |
The meteorological odyssey of Vincent van Gogh
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1990 |
Gedzelman, Stanley David |
The Academy of Media Arts Cologne
|
1990 |
Hagebölling, Heide |
The Transcendental Machine? : a comparison of digital photography and Nineteenth-Century modes of photographic representation
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1990 |
Hulick, Diana Emery |
Denman Ross : an early theory of perceptual correspondences of sound and visual qualities
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1990 |
McWhinnie, Harold J. |
[Rezension von:] Bown, Matthew Cullerne: Contemporary Russian art. - Oxford, 1989
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1990 |
Belik, Eva |
Space art : a call for a space art ethics committee
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1990 |
Philippe, Jean-Marc |
Image generation survey: electrostatics
|
1990 |
Sheridan, Sonia Landy |
[Rezension von:] Jaki, Stanley L.: The physicist as artist : the landscapes of Pierre Duhem. - Edinburgh, 1988
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1990 |
Topper, David R. |
Perception and notation : a core curriculum in the arts
|
1990 |
West, Edward |
Experiments with mirror reflections
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1990 |
Asakura, Naomi |
Creativity in concert with the natural world
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1990 |
Geuer, Juan |
The Leonardo paradox : imagining the ultimately creative computer
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1990 |
Mueller, Robert Emmett |