History, time and the morphology of critical language, or Publicola's choice
Gespeichert in:
| Veröffentlicht in: | Art Criticism and its institutions in nineteenth-century France / ed. by Michael R. Orwicz |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
1994
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Imaging gender | 1994 | Higonnet, Anne |
| Life and afterlife : Jacques-Louis David, nineteenth-century criticism and the construction of the biographical subject | 1994 | McWilliam, Neil |
| History, time and the morphology of critical language, or Publicola's choice | 1994 | Rifkin, Adrian |
| From art criticism to art news : journalistic reviewing in late-nineteenth-century Paris | 1994 | Ward, Martha |
| Printmaking as metaphor for translation : Philippe Burty and the Gazette des Beaux-Arts in the Second Empire | 1994 | Le Men, Ségolène |
| The depoliticisation of Gustave Courbet : transformation and rehabilitation under the Third Republic | 1994 | Nochlin, Linda |
| Reinventing Edouard Manet : rewriting the face of national art in the early Third Republic | 1994 | Orwicz, Michael R. |
| Delacroix and his critics : the stakes and strategies | 1994 | Larue, Anne |
| The politicisation of art criticism in the post-revolutionary press | 1994 | Siegfried, Susan L. |
| The relative autonomy of art criticism | 1994 | Gamboni, Dario |