| Pulling Herakles' leg : della Porta, Algardi, and others
|
1968 |
Howard, Seymour |
| Die sechzehn Heiligenstatuetten im Museum der Florentiner Domopera
|
1968 |
Wundram, Manfred |
| Rubens und der "Merkur" des Giambolonga
|
1968 |
Simson, Otto von |
| The logic and realism of Piero della Francesca
|
1968 |
Shearman, John K. G. |
| Franciabigio's altar-piece of St. Nicholas of Tolentino in Santo Spirito, Florence
|
1968 |
Laskin, Myron |
| Un ipotesi per Giusto di Gand
|
1968 |
Rotondi, Pasquale |
| The "Apotheosis of Homer" : a Wedgwood & Bentley plaque
|
1968 |
Scheidemantel, Vivian J. |
| Broderies françaises du haut gothique conservées en Suède
|
1968 |
Geyer, Agnes |
| Un crocifisso d'argento in San Lorenzo
|
1968 |
Parronchi, Alessandro |
| Massimiliano Soldani Benzi architetto
|
1968 |
Procacci, Ugo |
| Il Palazzo Pitti e gli architetti fiorentini della discendenza brunelleschiana
|
1968 |
Sanpaolesi, Piero |
| Riccios "Nackter Mann mit Vase" : zur Deutung einer Gruppe italienischer Kleinbronzen
|
1968 |
Schlegel, Ursula |
| The barn of the cistercian grange of Vaulerent (Seine-et-Oise), France
|
1968 |
Horn, Walter William |
| An unpublished stage design by Desprez and its source : Polignano a Mare
|
1968 |
Wiles, Bertha Harris |
| Una dipinto manieristico
|
1968 |
Del Bravo, Carlo |
| Der monstruöse Stil der spanischen Renaissance-Ornamentik als kunstgeschichtliches und geistesgeschichtliches Problem
|
1968 |
Weise, Georg |
| Bemerkungen zu einer Michelangelo-Zeichnung
|
1968 |
Weinberger, Martin |
| Due ritratti di Lorenzo Lotto e un "codicillo"
|
1968 |
Fiocco, Giuseppe |
| Francis Harwood, an English sculptor in XVIII century Florence
|
1968 |
Fleming, John |
| A typological crucifixion: corpus Christi College MS 157
|
1968 |
Green, Rosalie B. |
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