| [Rezension von:] Parker, Roszika: The Subversive stitch
|
1985 |
Gatt, Debbie |
| Sculpture and architecture : the contradictory evidence
|
1985 |
Jones, Gareth |
| The site of ruined intentions : 'Les Immatériaux', Centre Georges Pompidou, Paris 28 March - 15 July, 1985
|
1985 |
Banks, Glyn |
| Cisitalia
|
1985 |
Nahum, Andrew |
| Art camouflaged as furniture
|
1985 |
Warner, Patricia |
| A Woodchopper's Ball at Agnew's
|
1985 |
Ormond, Richard |
| Munch, melodrama and modernism
|
1985 |
Overy, Paul |
| Matta's multiple awareness
|
1985 |
Overy, Paul |
| New sculpture by Rela Banks
|
1985 |
Amaya, Mario |
| [Rezension von:] Berger, John: And our faces, my heart, brief as photos. - London, 1984
|
1985 |
Coleman, John |
| Flames in places : Magdalena Jetelová ; Riverside Studios, London
|
1985 |
Collier, Caroline |
| White horses ... : Christopher Le Brun
|
1985 |
Collier, Caroline |
| The second Australian Sculpture Triennial at the National Gallery of Victoria, Melbourne
|
1985 |
Carmichael, Rod |
| Romancing the shape : progress to Oceania ; John Wolker: Paintings from the Alba and Oceania Series 1979 - 84, Hayward Gallery ; and Prints 1976 - 84, Tate Gallery
|
1985 |
Collier, Caroline |
| Time's chariots : Edward Allington, Riverside Studios and Lisson Gallery, London
|
1985 |
Collier, Caroline |
| Art and time : regarding the Fourth Dimension ; Musée Rath, Geneva, 16th February to 14th April 1985
|
1985 |
Annear, Judy |
| La grande parade
|
1985 |
Januszczak, Waldemar |
| Kandinsky, Kultur, Kitsch
|
1985 |
Overy, Paul |
| Old allegiances and new directions : the British Art Show 1979 - 1984
|
1985 |
Collier, Caroline |
| [Rezension von:] Bail, Murray: Ian Fairweather. - Sydney
|
1985 |
Cross, Elizabeth |
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